Upload

Video explains the world's most important 6-sec drum loop

Landon Proctor Landon Proctor·4 videos
1,348
4,241,869
Like     Dislike 802

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to like Landon Proctor's video.

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to dislike Landon Proctor's video.

Sign in to YouTube

Sign in with your Google Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to add Landon Proctor's video to your playlist.

Uploaded on Feb 21, 2006

This fascinating, brilliant 20-minute video narrates the history of the "Amen Break," a six-second drum sample from the b-side of a chart-topping single from 1969. This sample was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music -- a six-second clip that spawned several entire subcultures. Nate Harrison's 2004 video is a meditation on the ownership of culture, the nature of art and creativity, and the history of a remarkable music clip.

Loading icon Loading...

Loading icon Loading...

Loading icon Loading...

The interactive transcript could not be loaded.

Loading icon Loading...

Loading icon Loading...

Ratings have been disabled for this video.
Rating is available when the video has been rented.
This feature is not available right now. Please try again later.

Top Comments

  • Dick Roberts

    LOL alright I'm sorry dude really not trying to sound like an ass, but how the hell were you doing a documentary on jungle/drum & bass when you didn't know the sample that the whole genre is based on?

    · 32

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Dick Roberts's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Dick Roberts's comment.
    in reply to Kelly Carpenter (Show the comment)
  • Miranda Hicks

    All I hear is the PowerPuff Girls theme song...

    · 12

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Miranda Hicks's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Miranda Hicks's comment.

All Comments (8,427)

Sign in now to post a comment!
  • Isaac Foster Friedman

    Well, maybe his documentary wasn't intending to engage in an in-depth analysis of the specifics of the beats. A few things a jungle/drum and bass documentary could potentially focus on: The social aspects of the jungle scene; prominent jungle artists; the spread of jungle music out of Europe to an international audience.

    Point is, you don't know what this guy's documentary was about, or how in-depth it was meant to go. Give a man a break

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Isaac Foster Friedman's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Isaac Foster Friedman's comment.
    in reply to Dick Roberts (Show the comment)
  • Charlie Jerome

    so that's why all music has been shit and soulless since 2010, because people don't make their songs out of love anymore and only motivated by money and taking people to court. this copyright law is stupid. its like saying its a copyright infringement to draw a picture with a pencil that wasn't made by you so its stealing. honestly, just makes me sick. RIP jungle and drum n bass

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Charlie Jerome's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Charlie Jerome's comment.
  • MorpheoMC

    futurama

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate MorpheoMC's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate MorpheoMC's comment.
  • Isaac Foster Friedman

    Maybe that's the point...and if he hadn't been creating the documentary he never would have been directed to this video?

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Isaac Foster Friedman's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Isaac Foster Friedman's comment.
    in reply to Dick Roberts (Show the comment)
  • Isaac Foster Friedman

    dumbass

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Isaac Foster Friedman's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Isaac Foster Friedman's comment.
    in reply to Dmitry Brin (Show the comment)
  • Brendan Wolfe

    Seriously? Thanks captain obvious. That's like saying, "all blues is stolen because someone used a 1-4-5 before". All music since the dawn of time, after the first person banged on something and liked the sound of it, has been taking what you hear, see or experience and making something new out of it. That Drogonetta person is a douche BTW. There might be a lot of waste of space button pushers out there, but people like daft punk or Amon Tobin are very much artists and musicians.

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Brendan Wolfe's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Brendan Wolfe's comment.
    in reply to Avi Leidner (Show the comment)
  • Avi Leidner

    the original beat pattern recorded,of course was copied. The Winstons did not invent the pattern,nor in all actuality the sound it assumed after performing it in a studio,the producers and engineers in which recorded drums in ways that were not original either,any more than the mixing,or sweetening of the production master, going on to a not original process of record pressing mastering, and eventually a reused device - the B-Side. Original, without precedent, cause? (see video response. Amen)

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Avi Leidner's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate Avi Leidner's comment.
  • warhawkx1

    Eh man The Original beat pattern CAN be Copied If WE Forget about the past and for someone who has never heard this it would be an inevitable human trait that Our Ears enjoy that kind of timing and sound of beat so wether it was previously made but taking the exact sound of the beat kick it self would be stealing and NOT that Pattern we would still have figured that out. So Does it really matter that the Beat Timing was taken You Decide but that would be going a little far.

    ·

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate warhawkx1's comment.

    Sign in to YouTube

    Sign in with your YouTube Account (YouTube, Google+, Gmail, Orkut, Picasa, or Chrome) to rate warhawkx1's comment.
  • Loading comment...
Loading...
Advertisement
Loading...
Working...
Sign in to add this to Watch Later