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Purcell - O Solitude, Z 406 - Gérard Lesne

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Uploaded by on Dec 15, 2007

Henry Purcell (1658/9-1695)
"O solitude, my sweetest choice", Z. 406, published 1684/5.

Note before beginning: The original score suppposed to be in C minor, whereas the only score I found is in B-flat minor and only two recordings I have (Deller and Lesne) are in F minor. Sorry you guys out there who claim to have absolute pitch. All I can suggest is, just close your eyes and try to enjoy it.

Henry Purcell (1659-1695), English Baroque composer. He has often been called England's finest native composer. Purcell incorporated Italian and French stylistic elements but devised a peculiarly English style of Baroque music.

The text of the powerful "O solitude, my sweetest choice" is a translation of a poem by Antoine Girard de Saint-Amant (1594-1661) , "La solitude". Thanslation is by Katherine Philips, known as "Orinda" as she called herself. It appeared in the fourth book of the anthology The Theater of Music in 1686.

The ground bass was not new when Purcell began composing; in fact, it was somewhat old-fashioned. He may have used the device as often as he did because he found it challenging. Repeated bass patterns, especially if they are diatonic, limit the harmonic exploration of a piece, and Purcell succeeded in breaking through this barrier on many occasions, most successfully in O solitude. In other songs, such as "Now that the sun hath veiled his light" and "Music for a while", Purcell transposes the ground bass in order to modulate.



More on Katherine Phillips and her poetry:

http://www.jimandellen.org/orinda.ord...

and on the original poem bt Saint-Amant with Phillips' translation:

http://www.jimandellen.org/womenspoet...


Text:

O solitude, my sweetest choice!
Places devoted to the night,
Remote from tumult and from noise,
How ye my restless thoughts delight!

O solitude, my sweetest choice!
O heav'ns! what content is mine
To see these trees, which have appear'd
From the nativity of time,

And which all ages have rever'd,
To look today as fresh and green
As when their beauties first were seen.
O, how agreeable a sight
These hanging mountains do appear,
Which th' unhappy would invite
To finish all their sorrows here,
When their hard fate makes them endure
Such woes as only death can cure.

O, how I solitude adore!
That element of noblest wit,
Where I have learnt Apollo's lore,
Without the pains to study it.
For thy sake I in love am grown
With what thy fancy does pursue;
But when I think upon my own,
I hate it for that reason too,
Because it needs must hinder me
From seeing and from serving thee.
O solitude, O how I solitude adore!

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Uploader Comments (civileso)

  • Gérard's voice is made for that. He is the only countertenor who can sings this piece so perfectly. I fly whith him.

  • He sure is one of my favorite countertenors.. I love his delicate singing.

  • Yes, he has a real low register. The way he sings is sensual. Thank you for this piece, mister civileso.

  • Hehe, miss, actually.. And you are right about his low register.. A true contralto

  • If you enjoy baroque, search on youtube sandrine piau "in furore justissimae irae" from vivaldi and tell me how you find it, miss.She sings often with lesne and is one of the best soprani in france.

  • Yes I do know her and like her as well.. I last heard her in a Vivaldi opera Atenaide. It was really lovely

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All Comments (15)

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  • Rather low but stunning! Great Lesne! Bravissimo!

  • he have a low colour, strange that when the hight is the same, an other colour can give the impression its lower

  • @hautecontrre Actually, Bowman has (had) the biggest voice of the three. His voice was HUGE live, while Deller's is said not to have been so big ( I never had the pleasure) and Lesne's is tiny in performance.

  • It looks like to me a wonderful version: special, sweet and manly to Deller; probably the accent contributes to its rarety.

    Pues a mí me parece una versión maravillosa: especial, dulce y varonil a lo Deller; quizá sea el acento lo que contribuya a su rareza.

  • Quel dommage, j'ai des cantates de Vivaldi chantéees par Lesnes, superbe, et l'ai entendu ds un récital Haendel, c'etait impressionnant, car très juste, musical et engagé, bien que la voix fût très très petite- et sonorisée d'ailleurs- mais là...Bowman en a donné une version superbe,et Deller donc

  • Excuse me. But I don't like this interpretation. Sometimes it seems, that he doesn't even understand, what is he singing about. And Alfred Deller sings it just horrible. His voice can't reproduct the melody of this song at all.

    I like James Bowman. He has not so big voice, but his soul sings it itself.

  • He really owns this piece. One can sing it as it's written or one can sing it like Gerard. Such truly divine singing.

  • pourquoi ces blablas en anglais...

  • Well I'm so new to this, i've never really explored the arts of opera but as a first time critique I must say that this mans voice is quite a pleasure to listen too

  • ok, but Alfred Deller was and stay magic

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