Brendan Perry and Lisa Gerrard are Dead Can Dance. Their music began as collages made from musical lineages, lost tribes and cultures long since forgotten - and by giving new life to so much from the past, they created a genuinely timeless body of work. Perry's soundscapes blur distinctions between organic and sampled, old and new, drawing on disparate traditions (neo--classical, choral, baroque, troubadour) and weaving together influences from Eastern Europe, the Middle East, Asia, North Africa, the Mediterranean and beyond. Somehow Dead Can Dance managed to create a world of profound artistic integrity while simultaneously appealing to fans of what was termed 'alternative rock' music. They shared vocal responsibilities, and while Perry was certainly capable of haunting subtleties and real sonority as a singer, it was more often Gerrard's rhapsodic vocalising that drew the attention of critics and fans. In a sense, Gerrard didn't simply sing for Dead Can Dance: she made sounds with her voice, and turned that experience into something much larger and more far-ranging than mere singing. Australian music historian Ian McFarlane described Dead Can Dance as having an ambient style of world music that "constructed soundscapes of mesmerising grandeur and solemn beauty...with African polyrhythms, Gaelic folk, Gregorian chants, Middle Eastern mantras, and art-rock." Contrary to the opinion of some, Dead Can Dance were not obsessed with the past, nor did they provide a sense of nostalgic escape into bygone ages. They severed boundaries and set music free from the fetters of time and place, soaring out of the immediate world. Musical outsiders they may have been, but Dead Can Dance's vision and faith will ensure a continuing legacy and an undiminished appeal.
Εξαιρετική δουλειά! Συγκλονιστικός ο συνδυασμός του τραγουδιού με τις εικόνες!!!!
CHRDBR 3 months ago