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Butterfly Lovers Violin Concerto 1st 梁祝小提琴協奏曲:第一樂章

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Uploaded by on Jun 26, 2008

作曲:陳綱、何占豪
Composed by Chen Gang, He Zhan-hao in 1959
小提琴:呂思清Violin by Lu Si-Qing
The winner of the International Paganini Violin Competition in 1987

譚利華指揮北京中央樂團




呂思清1969年11月出生於青島,他4歲隨父親及叔父學習小提琴,8歲被中央音樂學院附小破例錄取,師從王振山教授,被譽為樂壇神童,11歲被世界著名小提琴家曼奴軒爵­士選到英國的音樂學院學習,14歲回國繼續在音樂學院附中學習,19歲赴紐約朱莉亞音樂學院深造,師從世界著名小提琴教育家杜賽絲,迪蕾女士及姜康。呂思清除獲義大利帕格­尼尼大賽金牌外,還曾經在第一屆曼奴軒國際青少年小提琴比賽、北京國際青少年小提琴比賽中獲獎,1982年英國皇家業餘交響樂協會授予呂思清82年度最高獎「銀盾」,19­91年他奪得美國仙尼詩演藝大賽金獎。

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  • @dziady1

    I'm not here to start an argument or anything, but i think you should be a tad bit more respectful when leaving a comment. First, the composers worked very hard on making such a beautiful piece; if you were to take a lot of time creating anything, you wouldn't want people to talk negatively about it. Second, same goes to the musicians playing this piece; they have worked very hard. I have tried to play this wonderful piece, so i know how difficult it is. Thanks for reading!~ :)

  • 14 people forgot their ears at home :/

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  • 说这曲子作的不好的人,有能耐你也写一个,躲在键盘后面乱咬的都­是畜牲。

  • 好像有回音

  • @a75567556 这是何占豪和陈刚老师的毕业作品,当初也没想过会这么有影响力,­只是当时越剧梁祝爆红,想把中国的唯美故事也谱成曲。还有,打破­西方作品的垄断。当时创造梁祝的时候,何占豪老师是主力,陈刚老­师是后来参与的,作品是59年诞生的。梁祝的诞生不只是两位作者­的功劳,还是上海音乐学院和孟波的支持。恩赐什么的太可笑,因为­那个背景下,诞生了不止梁祝这一样“天赐”。可以这么说创作时期­,整个社会解放思想很浓厚。

  • see my video response? :)

  • musique ô combien belle et émouvante, symbole du génie d'un peuple en mouvement.

  • ymir233 - you respond from a seemingly ignorance of violin literature . I did give a reference

    point which you ignore .

  • @dziady1 rofl so there are other pieces that also represent the tale of the Butterfly Lovers? I don't get what you mean by "originality" in this context but that's pretty hilarious that all you really have to criticize a work for is some sort of hand-waving "this isn't original" statement instead of pointing out specifics...

  • 好听

    

  • @dziady1 -_-

  • Music as a form of message in art and culture isn't measurable by mere technicalities. It is a sad thing to see musicians misinterpret techniques as quality. While this isn't the best performance of the work, there's a lot of things one has to learn, as a musician per say.

    I reckon one would say the same on any symphonies performed in oriental instruments as second grade, if technicalities are to be taken into account. What a waste.

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