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Nowadays / Hot Honey Rag - Fosse - Chicago

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Uploaded by on Jan 10, 2009

Meg Gillentine and Dana Moore perform "Nowadays" and "Hot Honey Rag" from the Broadway revue "Fosse". This piece was adapted from "Chicago."

We originally posted these as two separate numbers, but they definitely belong together.

0:00 Nowadays
3:27 Hot Honey Rag

These excerpts are from the highly recommended 2002 DVD "Fosse". View more excerpts at http://www.theBestArts.com/Fosse/

Browse our website at http://www.theBestArts.com for more great dance, music and musical theatre performances.

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  • likes, 18 dislikes

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Top Comments

  • Omg.. I love the routine at the end but their giant wedgies are so distracting!

  • I wish they had the period accurate costumes. :(

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All Comments (83)

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  • Hmm... The dancing parts didn't feel... energetic to me.

  • this is good...but the movie is twice as good

  • My mentor as a dancer was a Bob Fosse company member so therefore this is my training. These women do it perfectly, I saw them in person on Broadway. Bob would have been proud

  • A cameltoe's worst nightmare!

  • La otra versión es más sencilla

    y se les ve el culo a las viejas extravagantes -.-"

  • Wow, they look practically, um, NAKED from the waist down. But this is probably the best version of this number I've ever seen. These girls are fabulous!

  • @GreenTeaGirl17 Personally I like looking at those fine asses with that fine fabric shoved up it!

  • @designgreg thats the point... it is about the "perfect unison" line... this is what shes talking about in "i cant do it alone" roxie agrees to do it with her

  • @kralahome Actually, they are astonishingly together MOST of the time. It's just when they are the tiniest bit off it shows so obviously. I guess the routine was choreographed to go with Velma's line about the act with her sister- "And THIS, we did in PERFECT UNISON." It's so unusual to see a Fosse dance with two people side by side doing exactly the same thing....

  • Men. Jazz. Booze. Life. Joy. Sound absolutely perfect.

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