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Noise Reduction in Soundtrack Pro

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Uploaded by on Jan 22, 2010

Learn how to send a clip from Final Cut Pro to Soundtrack Pro to reduce noise.

For more tutorials and training, be sure to visit us at http://www.geniusdv.com

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Film & Animation

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Standard YouTube License

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  • Thank you for this tute. Is this a destructive process? In other words, does STP attach the rendered "noise-free" file to the FCP sequence? If I remember correctly, there is a System Setting in FCP 6 and 7 that allows files edited by an external editor to automatically replace the FCP file. Please explain.

  • @hartfilms2007

    Hi, It's not destructive as long as you keep your SoundTrack Pro project file. If you save a copy as .aiff then it would be destructive in terms of your ability to go back and undo things.

  • If I am using the same clip in the timeline, but have already cut it up how do I go about apply the noise reduction in one clip to the same noise in other clips. I am trying to get rid of background noise, should have done this in the beginning but didnt. Any help would be great. Thanks

  • @DNKENTERTAINMENT Hi, you should see a 'send only referenced media' checkbox after you send your file into the SoundTrack Pro Audio File project. That should do the trick.

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  • thank you!!!!!!

  • Question: I have multiple clips with the same background noise. How do I get rid of this on them all at once?

  • Why would the audio go out of sync?

  • OMG! YOU SAVED ME SO MUCH TIME! THANK YOU!

  • wow… so simple and so helpful… thank you!!!

  • Thanks . . . I have seen people try to explain the process without explaining that you need to select the whole clip between the noise print and the reduction process. Nice and clear!

  • I remember seeing this in a software demo several years ago but had never tried it till I came across this clip. I did find that it threw the sync of the audio track out over the course of a long clip though. In fact, once the track was reopened in Final Cut, the audio track was shorter than it was previously and the waveform was behind the actual audio, requiring manual shifting of the track to resync. Any ideas?

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