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Uploaded by on Apr 27, 2009

This is an amazing short directed by Adam Berg at Stink Digital. Although I cannot take credit for being apart of the original, I felt compelled to score my own original music over the film. I am in no way taking credit for being apart of this project, or attempting to insult the original composer. I did feel that the music was not doing the amazing visuals justice. I hope you enjoy.
Thanks to:
John Tae Lee (for showing me the original)
Freesound.org (amazing foley samples)
Kristina McDaniel (for listening to 'When The Levee Breaks' by Led Zeppelin, it gave me inspiration!

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Uploader Comments (RCPetersmusic)

  • For everyone who feels my score is too 'dramatic'. This is a short developed to showcase new technology designed by Philips.If this was shown at a trade show, with the original music, I feel it is completely lackluster considering the grand scale of the visuals, not to mention plain boring. I feel my score brings the short to life. Again, thanks for all the feedback.

  • thanks for all the feedback so far everyone, I really appreciate it!

    derelic7-

    I agree with you on the fire. If you are a music producer then you should understand what I am about to say. I use Cubase Se3, and with the newest Quicktime update, it refuses to sync my video, so I literally produced it outside of Cubase, and manually synced the foley sounds to the video, but you are correct, it does come in too soon. Thank you for taking the time to listen, and your criticism is appreciated!

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All Comments (26)

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  • yeah dude your music made it feel like i was there more lol

  • The music on the origional is much more subtle and atmospheric , far better suited to this film.

    That said you obviously have talent.

  • is 1:19 or 1:20 a wire???? looks like it

  • I agree with sortilegus. The original short was meant to make the audience "ooh ahh" at the quality of the visuals. For this purpose, the original score fit better. If the intent had been to depict the quality of the direction and presentation of the suggested plot, your score would be ideal. Then again, that's just my opinion. Either way, very well done.

  • I think your score is great, well executed and a nice piece of score music.

    It's an experiment and I like that - I love the original and I love the footage, but I quite liked hearing your score over this image.

    Good work... keep scoring!

  • Fantastic...but crap music to this...

    Topscore from me.

  • On the other hand, the composer of the original avoids the trap of action by using very low beat almost inexistent so as to represent the interior anguish/anxiety (like heart beat) of the viewer. ONLY THE VIEWER CAN MOVE IN THE SPACE.

  • No matter what I have said about your composition, this doesnt mean that you should stop composing music. Of course not.

    Good luck

  • It is out of concept.

    Although there are some good moods in your music, the main function of beats desynchronizes the idea of the film in itself.

    A graph:

    ------------------------------­------>SPACE I I I I

    V TIME

  • Let me for a minute explain something obvious but neglected.

    This is almost a time-slice shot.

    What we can call time-sculpture.

    In other words what musically signifies time like the beat you ve got or rhythmic violins IS WRONG.

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