More of Dubois and Maas. First is the 3rd movement of Bach's Sonata No. 2 for violin and piano. Then Maas alone playing the Toccata from Bach's Toccata and Fugue in E Minor. Recorded for Columbia in 1933. According to W.E.R.M., only these excerpts were issued. They're the filler sides in some Bach sets. I'll post some more Maas Bach on Sunday.
It is a beautiful record which lacks in my collection. But I keep saying: why do you play it on that old phonograph with that heavy sound-captor? Play it on your modern Newmark as you do for "Lotte Lehmann das Zauberlied"... and as I do on the same machine with my 78's. Even this is an electric record.
78Maniac 1 year ago
@78Maniac Regarding record wear, look at my posting "In Defense of an Orthophonic".
merrihew 1 year ago
It's on an orthophonic victrola, but it's actually a Viva-Tonal recording. The laminated surfaces of the Viva-Tonal records was actually superior to that of the Orthophonic shellacs. Originally the Viva-Tonal records were called the 'records without scratch'.
It's very nicely presented, indeed. Amazing in fact. Very impressive.
NEWbobofhollywood 1 year ago
@NEWbobofhollywood Indeed, the Viva-Tonal (Columbia) pressings are usually superior to Victor discs of the time.
merrihew 1 year ago
Very nice post. Did you clean up the sound quality at all? It's outstandingly clear!
RCALennon 1 year ago
@RCALennon No. Its picked up directly into a separate decent microphone. The sound is due to the quality of the records and the quality of the phonograph.
merrihew 1 year ago