Uploaded by tcelectronicHDaudio on Oct 21, 2011
Sound designer and audio engineer Alessandro Travaglini explains the challenges of maintaining consistent loudness levels in television broadcasting when faced with a wide variety of content - from cinema productions to live feeds - and proposes workflow solutions to dealing with various formats and avoiding pitfalls like excessive compression.
About Alessandro Travaglini
Alessandro Travaglini has worked extensively as a researcher and educator on audio production and post-production, as a supervisor of audio post-production at Fox Int. Channel, Italy, and as a sound designer and composer on films, documentaries, commercials and promos.
http://www.alessandrotravaglini.it
About 'Rome Calling - Audio Seminar of The Year'
TC Electronic has gathered some of the industry's most influential speakers in order to cover, from a multitude of angles, the radical changes now taking place in production and distribution of broadcast, film and music as a consequence of the new ITU and EBU standards and recommendations. The seminars focus strictly on technology rather than specific products.
http://www.tcelectronic.com/rome
Category:
Tags:
- loudness
- monitoring
- compression
- normalization
- normalisation
- TC
- Electronic
- Electronics
- TM7
- TM9
- LM2
- DB2
- D22
- DB4
- DB8
- MKII
- DBMax
- P2
- LM5D
- System
- 6000
- workflow
- signalflow
- audio
- levels
- metering
- meters
- Alessandro
- Travaglini
- broadcasting
- television
- TV
- standards
- regulations
- recommendations
- sound
- ITU
- BS1770
- BS1770-2
- BS1770/2
- 1770
- 1770/2
- 1770-2
- EBU
- R128
- ATSC
- A/85
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