at 2:14 should those scales not be glissandi up the C string? and i'm pretty sure there are octaves at 2:29........still pretty damn good, better than i can play it haha!
Hola! cuantos años tienes? casate conmigo! jajaja, oye, en serio, genial muy buen trabajo!! en serio, increíble, felicitaciones! de casualidad algún día pasaras de gira por colombia?
bueno, se te tiene envidia, de la buena, :D, ojala pueda tocar como tu
Overall I think you did well. You should think about your contrasts a lot more, though, and what you want to do throughout the whole piece. That way you can give a more convincing performance. Also, you will have better luck with your intonation if you think about shifting to positions instead of notes.
really good :) but maybe you could play a little bit more passionated.. but still very nice!
.. & I love your dress btw :D
LouiseTheNewInTown 8 months ago
how long has she been learning cello?
kodpen2 9 months ago
WHERE IS THE PASSSIION
beautyl0vin 10 months ago
Tres beau duo d'un grand compositeur argentin mal connu en France malheuresement.
LeMarxNouveau 2 years ago
haha I just did the thumbs down but meant to do a thumbs up! great advice! i was thinking the exact same things.
lumieredeciel 2 years ago
actually, you're referring to the version that was later edited by Ginastera's wife. she plays the original here, which doesn't have the octaves.
achum168 3 years ago
at 2:14 should those scales not be glissandi up the C string? and i'm pretty sure there are octaves at 2:29........still pretty damn good, better than i can play it haha!
TheTradge 3 years ago
Hola! cuantos años tienes? casate conmigo! jajaja, oye, en serio, genial muy buen trabajo!! en serio, increíble, felicitaciones! de casualidad algún día pasaras de gira por colombia?
bueno, se te tiene envidia, de la buena, :D, ojala pueda tocar como tu
celloadict90 3 years ago
brilliant! i'm starting learning at the moment, glad i now know how it sounds with accompaniment =)
TheTradge 3 years ago
Overall I think you did well. You should think about your contrasts a lot more, though, and what you want to do throughout the whole piece. That way you can give a more convincing performance. Also, you will have better luck with your intonation if you think about shifting to positions instead of notes.
milkshake720 3 years ago