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Suite No.1 - Giles, Giles and Fripp

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Uploaded by on Dec 2, 2008

This track is from The Cheerful Insanity of Giles, Giles & Fripp: it's an album recorded in 1968 by Robert Fripp, Peter Giles and Michael Giles. It's a very good album, though it's not very well known (to my knowledge). For more infos: http://www.elephant-talk.com/wiki/The_Cheerful_Insanity_of_Giles%2C_Giles_and... (sorry, but the audio quality is not very good)

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Uploader Comments (GiulioGM)

  • max o cal mi dite come si chiama per favore l'album??? grazie in anticipo

  • the cheerful insanity of giles, giles and fripp (vedi la descrizione per più info)

  • Thanks for this. Do you have the elephant song too?

  • yea, but i haven't uploaded it.

Top Comments

  • the three idiots on the cover are fantastic :D

  • you have to develop the musculature along with other things like scale knowledge and many other things like timing and plectrum picking and chord fingerings and maintain a relaxed state of body of mind to be able to play like this so smoothly. so in other words it takes hard work and dedication and commitment

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All Comments (83)

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  • @newfuckingwave My friend knows a shitload about KC and everything and he said that both Giles-es gave drove him to a junkyard where they let Fripp go crazy and take anything. Supposedly he found a working reel-to-reel player and a bunch of other stuff and put it in his basement where it still lies today.

  • how the FUCK did they get fripp to smile for that photo?

  • This piece is much more classically influenced than Fripp's later work.

  • @portero36 yes indeed -ee-do ,you are right ! well,Fripp wrote it so he can re-visit it anytime he wants,right?!

  • PHISH- STASH LOL

  • Wow just wow!

  • @WesB that crosspicking at 4 min in is especially unreal

  • how can a human being play this so god damn fast and clean? I've been trying to learn it and when i think i may have gotten it i play along with the recording and fripp is still playing 100000 times faster than i

  • @portero36 Correct. But not only the chord progression, pratically the whole second movement of this suit was taken and rivisited by Robert Fripp. ;)

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