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Nikolai Rimsky-Korsakov: Scheherezade - IV (1/2)

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Uploaded by on Aug 10, 2007

Nikolai Rimsky-Korsakov: Scheherezade - IV (1/2)
Lim Kek-tjiang conducts Evergreen Symphony Orchestra

林姆斯基-高沙可夫: 天方夜譚 - IV (1/2)
林克昌指揮長榮交響樂團

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  • The conductor is great! What majesty and dignity for a little man!

  • 1:09 - 1:29 - reason for living

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All Comments (22)

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  • 2:40 For a moment there I thought the guys was playing the wrong song :)

  • donewithit10,

    what they meant by IV (1/2) is that this was only half of it.

    but other that that i really liked this orchestra this is my first time listening to them and i thought that they were excellent. i really like the way that the conductor was and the violin solo i didnt like too much but ill get over it.lol. and i really loved all the girl bass players. that is very rare.lol. overall i rate this orchestra10

  • I would. I really would. I mean, this is the kind of thing I LOVE to do, but I'm too busy trying to get my BM right now.

  • Could someone just cite reference so we can get it over with this story?

  • bueno, es una excelente version,

  • school,even if he was always original and not banal. This interpretation sounds me like all eastern examples. Tempo too fast,nothing to say on technic,bad interpretation of russian soul and batons mouvements (of conductor) too nervous and sharp for a music that really don't need it.

  • common combinations,like woodwinds with under trilling brass,or trombone with piccolo. Is also important cause is one of the greatest examples of the work of the National russian school,that tried to diffuse in the world,the russian traditional themes and sonority,although this is not russian story at all. Finally,is important to note as harmony in that piece is interesting and surely notable,but not very innovative. That cause R-K,teacher of harmony in conservatory,was alsways faithful to old

  • Rimskij-Korsakov called it symphonic poem. Is not real that symphonic poems must have only one movement,even if a great representance of them has only one for example the ones of Ciurlionis or Sibelius. But that is completely without importance topic. We could speak about what really important is there from the musical point of view. It is one of the first experiment of the history of "poliritmia" (contemporary presence of different tempos", instrumentation is very particular and new using not

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