Juampy Juarez - Set Theory Improvisation

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Uploaded by on Jun 19, 2011

Excerpts from Master Class available at www.mikesmasterclasses.com
"In this new masterclass, I show my original investigations on set theory, this time applied to improvisation. Set theory is based upon mathematical numeric sets that describe the whole possibility about octave's division, based on Integer notation, a new nomenclature that is explained in this clinic.These sets have inside lots of new scales, licks , chords, and more.Imagine the new harmonies and melodies that you could create with it.
There are 220 possible sets, and these form the musical language of the last century's classical compositions.Genius like Stravisnky, Bartok, Boulez, Webern, Berg, and Schoenberg among others, used those sets .Atonal music prefers dissonant intervals and wide ,large note jumps.This new stuff will be a new weapon to expand your improvisation's skills.Super sets, subsets, and nested pitch field are some of the new devices shown here, played through simple blues progressions and some other cadences. "


Juampy Juarez

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Music

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  • @diagreen Thanks !!!!I I will !!!!really apreciatte your nice comments, all the best!

  • great.i studied set theory in music school years ago.it was the only part of music theory i could do.sucked at tonal harmony though.keep it up

  • @GreyJazz90 Thanks a lot my friend for such comments!!all the best !happy new year!

  • Sounds great as always Juampy! This kind of improvisation is the future!

  • @yVivaPeronCarajo no es un tema, es una improvisacion basada en un sistema teorico, llamado teoria de los conjuntos o set theory, y es parte de una clase en video para mikesmasterclasses no es para convencer a nadie, te gusta o no, nada mas.Saludos.

  • y esto como mierda se escucha. que hay que hacer para que te guste este tema, como me convences de que me guste?

  • wow that stuff was amazing, never even knew about set theory. anyone know if this guy has any albums out?

  • @str8ngrrr Thanks my friend, German Aprile's guitar is really trusty for me, I can play on the upper side of the neck with strong entonation and it's confortable too, I can' play these atonal lines in some other guitar, send a big hug amigo,all the best.

  • I hope you get a chance to enjoy the new bsAs winter. All wellness to you, my friend !!

  • Of the so many things I admire about your playing, this goes out to the AMAZING design of S. Aprile's handiwork. The balance of the neck is in perfect playing position for your across the neck stylings. And I noticed just on this video that the cord comes out the BACK at the SIDE, not the top or the bottom. And the intonation, PERFECT for the twelve tone playing.

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