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François Couperin - Les Barricades Mystérieuses

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Uploaded by on Dec 16, 2008

François Couperin (1668-1733)

Les Barricades Mystérieuses

Francisco Ricardo - Cravo

Lisboa, Dezembro de 2008

Cravo Neupert de dois manuais afinado a 415 Hz

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Music

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License:

Standard YouTube License

  • likes, 5 dislikes

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Uploader Comments (AcademiaSingulares)

  • Non, c'est un clavecin, mais le fait que les on sur youtube devient toujours pire que sur l'ordinateur, c'est peut-être la cause de cette confusion.

Top Comments

  • No, the problem is, that you know nothing about the style to play on this intrument in the time of baroque !!

    this "variations" of tempo are just part of the musik !!

    Wenn man keine ahnung hat, einfach mal die fresse halten ;)

  • Tree of Life brought me here :)

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All Comments (29)

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  • Dad's gone :)

  • Holy GOD!... u.u.. its really beautiful~

  • Wonderful piece !

    the image is

    The House of Cards

    by the french painter Jean-Baptiste-Siméon CHARDIN,

    very good choice for this music !

  • I love it in slower tempo , really amazing

  • Very nice. I've heard so many different interpretations of this piece. I personnally play it a little faster on the piano,with less rubato. One has to adapt his playing to the accoustics and character of the instrument as well as the style of the period. Always a tricky balance.

  • Something about the simple rhythm and syncopation combined with all the leading tones give this piece a real modern and popular kind of sound to it — and I mean that as a compliment. Maybe that accounts in part for its popularity.

  • @makiliiiiiii Yes it is! In fact, the whole reason I even heard about this beautiful piece of music was because I read the book. The descriptions about it are so true! :D

  • For those of you that love classical music ;) Enjoy!

  • Aquellos que dicen que este excelente interprete tiene "Tempo Problems" son quienes tienen verdaderos problemas de tiempo ; es decir de saber UBICARSE en el tiempo.

    ¿ Rubato en el Barroco? Yes sir así era; Es más: Tan así era que ni Couperin ni Bach ni los Scarlatti conocieron esa cosa insoportable llamada Metrónomo de Maelzel; aparato para torturar niños que aparece al final del clacisismo.

    Además ¿ No les parece que esta formidable composición gana enormemente en emoción con esos rubatos?

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