Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Thereminist Armen Ra@La Mama NYC/Benjamin Marcantoni

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
1,700
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Aug 9, 2009

My Friend by Khalil Gibran from the Madman.Mon cœur s'ouvre à ta voix aria from the opera Samson and Delila by Saint Saens

A musical and poetic expression of madness, solitude and enlightenment, Wrequiem is a supremely evocative work that draws from the remnants of nearly-lost cultures as well as touching on the resonances of the European Romantic/classical tradition, American popular culture, and high camp. From its opening moments, up to and beyond Ras own virtuosic theremin renditions of sacred Armenian melodies, accompanied by the enchanting Somna M. Bulist on the harp, the theme of an ever-more-desperate desire for a home—not just a physical dwelling but a spiritual and psychological one—reaches dimensions that transcend the physically modest design of the production. Weaving texts from Kahlil Gibrans The Madman (read by Kembra Pfahler and special guests) with Ras own compositions as well as pieces by Verdi (La Vergine degli angeli, sung by extraordinary countertenor Benjamin Marcantoni) and Massenet (Ras treatment of the latters Meditation on the theremin can only be called virtuosic), Wrequiem creates a powerful spell, fueled by the emotional commitment, eclectic sensibility, and painstaking craftsmanship of its creator. Elements of religious ritual bring the piece to a shattering but strangely hopeful conclusion.

Much of Wrequiems power is attributable to Ras incredible command of the theremin, the unusual electronic instrument on which the player creates sound by seemingly manipulating the air around the instrument. Most familiar to mainstream listeners as the source of the weird sounds heard on the Beach Boys Good Vibrations and in countless 50s sci-fi films, the theremin has an expressive potential that is only now being fully explored by a small but dedicated band of visionary musicians. Ra—whose visual presentation (he is often bedecked in jewelry of his own design) is a dazzling as his musical talent— is at the forefront of that group, and Wrequiem is just one powerful example of his overall vision as both a creator and performer.

Wrequiem Text
Glen Kenny

Set Design
Timothy Beale

Video
Jacob Burckhardt

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:
see all

All Comments (1)

Sign In or Sign Up now to post a comment!
  • Pretty cool duo. thanks for the upload!

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more