Shakespeare: The Man Behind the Plays

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Uploaded by on Oct 8, 2008

Roundtable discussion with Robert Brustein, Alvin Epstein, Eugene Mahon, Ron Rosenbaum, Daniela Varon, and J.P. Wearing.

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  • Audience member Rhona @ 1:23:40 points out the tautological nature of this disappointing conversation among a clique of emenently bored theater professionals, mostly of academic persuasion, who, with the exception of Mahon, can bare bring themselves to quote from any of the author's works or cite any of his biographical facts. Rhonda correctly notes that a few aspects of the plays are used to define the man and that this specter then serves to explain other aspects of the work. Fie! Foh!

  • So if it was all about IMMEDIACY and "writing on the lark", I suppose Shakespere is the boy to go with!

  • @cwhanna agreed. No other candidate makes any sense. Especially considering the overwhelming biographical information peppered throughout the plays. Too many coincidences to explain away and no coincidences surround the "glover's son".  We're expected to believe what the Stratfordians say simply because they say it.

  • DeVere's bible with "crib notes" that can be found in much of the Shakespeare canon is truly a smoking gun.

  • I'm astonished that an important 'biographical' activitiy of Shakespeare isn't mentioned here: reading. Reading the Greece and Roman classics was an important fountain for him. The work Ovid, maybe his oldtime favourite, explains a lot of his thinking: the transformation of identities. And Ovid wrote about love....

  • Wikileaks will release documents to prove who really wrote Shakespeare.

  • I know who wrote the plays, it will be revealed in my book 'The Hand of Shakespeare' to be released in 2011. I kid you not.

  • 17th Earl of Oxford Edward Devere wrote the plays commonly attributed to shakespeare...

  • Poor Rosenbaum. His theses are wrongheaded, and he's argued down immediately and becomes more irrelevant as the discussion goes on. Lyric is obviously personal, and art is obviously produced by artists. Postmodern posturing looks foolish each time it's tried. Brustein and Wearing's conributions are wonderful. I really wish Mahon had said more - his small contribution was beautiful.

  • ...and a Scot. Here I am.

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