Future Music In The Studio With Thomas Gold Part 3

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Uploaded by on Jun 22, 2010

Part 3 Automation
We see how getting in deep with FX automation can really help to give a track that dancefloor edge.

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Science & Technology

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Standard YouTube License

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Top Comments

  • Ive grown to like this guy.. Great respect to him now.

  • Aaarrgghhhh. Whats with all the f*&king adverts. How to ruin a wicked site.

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  • @forsey2008 you sound like a retard when you say stuff like that. Just sayin

  • @forsey2008 This is my take on it, feel free to disagree lol - his boost on the master at 100hz with the Pultec is totally irrelevant to those frequencies he is cutting out of his percussion loops.

    If he leaves in those low frequencies to begin with on all his percussion channels it would sound horrifically muddy. I must say, one of the most brilliant things I appreciate from watching the three Thomas Gold vids is how to EQ properly.

  • @forsey2008 In the words of the man himself: "...because I want to give more space and frequency range to the bass drum, and to the bass. Because there going down and I dont need all those low frequencies from the loops and the percussion. Sometimes I need them for the warmth but for me this works very well."

  • @scfletch download add block. ;)

  • very useful,tnx.

  • Low cut O.C.D Thomas lol, why you boosting with the lows at 100hz with the Pulteq EQ, after all that low-cutting though? come on 3 -48Db lo cuts on the claps man, haha

  • respect man. respect.

  • @JoeyJiggles experiment a lot!

  • @RuhkcusTV It are the Yamaha NS-10m's for checking the mix, An Avantone Mixcube for mono mixing and the main monitors are the Adams S3A series!

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