Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

TOP TEN GREATEST ARIAS FOR BASSES 5/5

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
5,050
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jul 4, 2010

Top ten greatest opera arias.

In this Top Ten, I will present the 10 most important arias for:
Basses
Sopranos
Tenors.
Mezzos.
Operatic duets.
Zarzuela and lyrical music of Spain.

With what criteria have been chosen arias:

1.Beauty.
2.Popularity.

Obviously, and I apologize for that, there is an element of subjectivity that is inevitable in any judment is made in art.

The Top Ten is not about singers but about arias. Even the versions that I posted are not necessarily those I like more, but are the best among those I have.

Top Ten great arias for basses.

1 / 5.10.La Calumnia, Il Barbiero di Seviglia by Adamo Didur 9.Mentre gionfarsi lánima, Act I. Attila, by Agostino Ferrin.


2/ 5 8 Ecco the sconsolata, Incoronazione di Poppea by Giorgio Tadeo. 7.Il lacerato Spirito, Simon Bocanegra by Jose Mardones.

3/ 5 6 Cinta di Fiori I Puritani by Ezio Pinza. 5.Si la rigeur, La Juive by Ezio Pinza.

4/5 4 Sperate o Figli, Nabuco, by Nazzareno De Angelis. 3.Ella giammai m'amo, Don Carlo, Marcel Journet.

5/5 2. Ha! Wie will ich triumphieren (How may I triunph?) The abduction of the Seraglio by Martti Talvela. 1 O Isis und Osiris, The Magic Flaute by Kurt Moll

Most of the pictures are mine, but I took other of the web, if the owner of these pictures do not agree with this, please tell me and I will replace them.

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:

Uploader Comments (jfsanin)

  • you are right, some people have told me the same. Both basses are very good, but Talvela is better is Sorastro and Moll is better as Osmin.

    Thanks

see all

All Comments (10)

Sign In or Sign Up now to post a comment!
  • Great Kurt Moll! What a musican and singer so great!

  • On the full videos Moll is a better Osmin than Talvela. Moll is a better Sarastro too. But Talvela had a bigger voice for Verdi and Wagner and the main stream bass roles. I've heard both live and sung both roles. Sarasto is quite easy (assuming that you are indeed a bass). Osmin's pretty tough.

  • listen both Osmin and Sarastro by Székely Mihály, Talvela is a lovely and fantastic singer but has no low D Kurt Moll's low D is not so sonore as it should be and for me someway is dry he is anyway a great singer Gottlob Frick is better in both roles and many more Ludwig Weber also...Endre Koréh and Littasy György are for listening

  • Talvela was a great bass, but his low D in this aria fails. Moll is perfect in this aria.

  • I wish you'd done the opposite-- Moll's Osmin and Talvela's Sarastro. But thanks anyway, this is great!

  • las arias de mozart son en definitiva bellas, pero no tienen la profundidad y la complejidad que tienen las de verdi como il lacerato spirito o ella giammai m'amo

  • kurt molll

  • TIENE MAYOR FUERZA VOCAL MARTTI TALVELA, MUY BUEN VIDEO....

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more