Uploaded by eyeseefilm on Aug 17, 2010
Through the years, whistles have evolved into an important element of traditional Brazilian Samba.
Their unique and versatile musical voice has helped to shape the definitive musical sound and style commonly known today as "Latin" music.
Most interestingly, Samba whistles, many with triple tones and intricate rhythmic possibilities, have become a standard piece on the performing percussionists table.
Ours are authentic, handcrafted by Brazilian artisans, offering the very best in traditional Samba whistle design and tone.
This unique Whistle emulates the sound of the Crypturus Noctivagus.
These species live in Western and Midwest Brazil. The male has a suave resonant call similar to whistle #13. In the months of August through November various females congregate around a male forming a peaceful pack, easily recognized by a low, weak alternating mode call.
This amazing unit also emulates the sound of Genus Nothocraxia (The Brazilian Capoeira Partridge): Hen-Like bird of the Cracideos family.
A Brazilian species to be found throughout all climates in the country....they usually run in packs and obey easily to the call.
This whistle has recently been featured on Mochila's Documentary "BATUCADA COM DISCOS" by Brazilianist.
How to use in nature: The emission of air for this whistle comes from the nose. At some point emit air from the mouth to obtain some kind of sound. The mouth only functions as an acoustic. Hold the whistle at the sides, which resemble a medallion (where the number is located), with the thumb and middle finger. The index finger should be pushing against the front part, which looks like a half moon, against the nasal cavities (the entrance of air from the nose). Notice that on the bottom part of the whistle where the thumb and middle fingers are supporting the whistle, there is another cavity located at the top of the number (the exit for the air), this cavity should be between the top and bottom lip. Emit air slightly from the nose and look for the part that should engage with the mouth, depending on the proportions of the user. To obtain deep sounds, increase the internal space of the mouth, shrinking the tongue without opening the mouth. To obtain higher pitched sounds decrease the internal space of the mouth filling the oral cavity with the tongue. After familiarizing yourself with the whistle, use it to imitate various birds and animals. To make vibration noises (Bem-te Vi and Trinca Ferro), emit air through the nasal cavities and at the same time emit an internal noise (with the mouth closed) while making the vocal cords vibrate.
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