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Painting Old masters

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Uploaded by on Nov 21, 2009

Painting old Masters, Lernianstudios.ning.com

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Education

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Uploader Comments (RonnieRyan1)

  • Hi there,

    Would you advise lubricating the surface with linseed oil before misting? Also, is it a good idea to add a little medium (such as Oleogel) to my paint before misting, or is the best approach just to use pure lead white?

  • @swallowedtothesea

    hi there

    you could use linseed to lubricate the surface though it should be ok if your mix is correct .you want the mix to be about 50% transparency [ as if you were putting rice paper over the painting]. most glazing mediums are ok including liquin.

    hope this helps

  • hi Fontenia

    in the new year i will be publishing the full dvd of how to paint using this method i will be in touch as soon as its ready

  • but why do you do that?

  • @josvanr hi

    Misting as an underlayer adds far more subtle shadows that you can achieve using al prima painting.it originated in the Venitian school .

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All Comments (21)

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  • @konzwambii hello Caravaggio

  • How sad. This is a pathetic demonstration, a foray into obscurantism, and accomplishes nothing toward creating a good painting. Strongly suggest that no one waste time barking up this tree of failure.

  • @polkysy10 the painting still has several layers to go ,misting is the third layer of paint

  • @polkysy10

    Misting creates subtle shading in painting that can then be glazed with transparent colour. Blending the misting layer down and lifting paint from areas helps to create depth in the painting.

  • pleasee i need to know that, is a very important information to me

  • noww?? and after that? what more do you do?

  • What a great technique. I find this a lifesaver if I feel my underpainting has gone too dark either in parts or in total. It's kind of like a veil. One drawback though; the first time I tried it I used a stiff bristle-brush and it started to scalp some weak underlayers:-)

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