Hip motion dance somewhere in Iraq...
Disco is a genre of dance-oriented pop music that originated from African American Soul Music and Funk Music. Philadelphia soul is the blueprint and direct origin of the Disco sound. Disco songs usually have soaring, often reverberated vocals over a steady four-on-the-floor beat, an eighth note (quaver) or sixteenth note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and prominent, syncopated electric bass line. Strings, horns, electric pianos, and electric guitars create a lush background sound. Orchestral instruments such as the flute are often used for solo melodies, and unlike in rock, lead guitar is rarely used.
Well-known late 1970s disco performers included Evelyn "Champagne" King, Tavares, Chic, Bee Gees, Donna Summer, Grace Jones, Gloria Gaynor, Diana Ross, the Village People, Sylvester, and The Jacksons. While performers and singers garnered the lion's share of public attention, the behind-the-scenes producers played an equal, if not more important role in disco, since they often wrote the songs and created the innovative sounds and production techniques that were part of the "disco sound".[1] Many non-disco artists recorded disco songs at the height of disco's popularity, and films such as Saturday Night Fever and Thank God It's Friday contributed to disco's rise in mainstream popularity and ironically the beginning of its commercial decline. However, disco was very important in the development of Hip hop music (especially the subgenres of crunk, snap, and hyphy), British New Wave, and disco's direct descendants: the 1980s and 1990s dance music genres of house music and its harder-driving offshoot, techno. ance Party is a 1965 album released by American Motown and soul girl group Martha and the Vandellas on the Gordy (Motown) label. The album was the group's third and much like The Miracles' Mickey's Monkey album mainly consisted of dance tunes. Among the singles featured on the album include their 1964 landmark single, "Dancing in the Street", their follow-up smash, "Nowhere to Run", the hit, "Wild One", and the famous b-side, "Motoring". The album was mostly produced by William "Mickey" Stevenson with several nods from Holland-Dozier-Holland.
and he's an MP, exactly what i want to be lol
JoshandJamesM 1 year ago 9
im sure shortly after he was raped by the camerman
DudemanBroskiYaHeard 1 year ago 5