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Placido Domingo Masterclass 2

Northhampton 1983 and Japan 1987  
 
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cabalettaverdi (2 months ago) Show Hide
+1
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la que canta dalila no se da cuenta que no es para ella y me jor que cante mozart por decir algo.............
atzedeno1 (4 months ago) Show Hide
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If such a man would stand in front of me I couldn´t think of anything else than trying to sing seducing songs........ hihihi
KirstyGriffiths (4 months ago) Show Hide
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When I heard this, i thought ... "why aren't I there singing this"????? The Dalilah just doesn't sound correct, her voice is lyric soprano and this is a serious, MEZZO role. I'm currently moving up from Mezzo to Sop and this is one of the roles I really CANNOT sing now.....
corellithebest (6 months ago) Show Hide
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Yes, it surprises me that Domingo should allow a soprano (lyric soprano) to sing this difficult mezzo aria. But this takes nothing away to the fact that he is an excellent teacher, and he told her that she, as a lyric soprano, is unable to do all that long legato phrases.
ChaudeB (6 months ago) Show Hide
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actually i think he´s a good teacher...
exackerly (6 months ago) Show Hide
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Delilah and Rodolfo don't belong in a master class with Domingo...
cantatore11 (8 months ago) Show Hide
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von langweile (of to be bored)
Englishtenor2 (10 months ago) Show Hide
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The Otello looks about twelve!!!
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bravazingara (10 months ago) Show Hide
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I know! it gets on my nerves so much! but a lot of sopranos do it...specially where I live (Mexico) there aren´t many of us mezzos here and sopranos ALWAYS insist in taking repertoire that is not theirs... I don´t know exactly why, but I consider it disrespectful to the music itself. Mezzo roles were written that way because the composer had something really specific in mind and I think it should be met that way, don´t you?

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