Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Ganesh-Kumaresh - 2 - naLinakAnti - mArgazhi mahA utsavam 2008

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
19,091
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jan 1, 2009

rAgam: naLinakAnti
Bass Guitar: Keith Peters
Keyboard: Shyam Benjamin
Drums: Arun Kumar
Ghatam: Giridhar Udupa

  • likes, 2 dislikes

Link to this comment:

Share to:

Top Comments

  • I wouldnt say disgrace but its not right in the temple atmosphere to some extent.

  • @prasnnakeshav know the facts do not become sickular .. your sikular mind set is the problem for your statements.

    We All Know TAJ MAHAL As a Symbol Of Love

    But The Other side, Lesser Known the Facts are:

    1. Mumtaz Was Shahjahan's 4th Wife Out Of His 7 Wives!

    2.Shahjahan Killed Mumtaz's Husband To Marry Her!

    3. Mumtaz Died In Her 14th Delivery!

    4. He Then Married Mumtaz's Sister!

    Question Arises Where The HELL IS LOVE. :and Romance.

see all

All Comments (32)

Sign In or Sign Up now to post a comment!
  • You are again digressing off the topic. I never commented on the historical facts about Taj. I found it strange that all you grabbed off of this wonderful 7:40 min long track was the title and you don't look like you want to give up on rambling on this. Please don't pop another chapter from history in response to this.

  • sa ga re ma pa ni sa, thyagaraja the great innovative soul

  • There seem to be misunderstanding of the term, Taj, in Urdu. All it means is the "crown" and it is only incidental that the term occues also in Taj Mahal as we know it, where it connates the " the crown among all palaces or builidngs". So let us not bring in the Taj Mahal each time we talk of the Taj.

  • Good rendition in Nalinakanti by Ganesh and Kumersh.. But considering this is from Margazhi Mahotsavam, I was expecting manavyAlakinca rAdatE or GNB's nee paadhamE gati.. The crux of Carnatic Music is Bhakti.. Even ragas meant to produce Sringara Rasa is mostly directly towards towards Bhagavan as Madhura Bhakti . While it is not wrong to use carnatic ragas for light music, I would still call it "Music", not "Carnatic Music".

  • nice one in nalinakanthi......

  • @sangeethsagar its the composers discretion to name it whatever he believes apt. The title of composition doesn't in any way keep you from taking a listen, does it? You just seem to incoherently go on and on and on with your comment.

  • y r dey using a macbook....????

  • Good Job.Innovative

    G K Iyer

  • @ninyamousie 5) Thus one must view the question of whether a musician uses shades of H. in C. has no easy answer, and must be considered in a broad perspective which includes his discretion and imagination.But the musician's "imagination" must remain chained by the "injunctions of Saastra", which is roughly speaking, science, of music. Just to let you know that I haven't gone vague to pretend an authority, I do agree the beginning of this item, with mgr much sounds mr since g' almost equals m.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more