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Mozart LND Figaro Giunse Alfin...Deh Vieni Non Tardar

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Uploaded by on Mar 12, 2008

Figaro: Erwin Schrott
Susanna: Miah Persson
Count Almaviva: Gerald Finlay
Marcellina: Craciela Araya
Barbarina: Ana James
Cherubino: Rinat Shaham

The Royal Opera House Chorus
The Orchestra of the Royal Opera House
Conductor: Antonio Pappano
Stage Director: David McVicar

Recorded live at the Royal Opera House, Covent Garden, London on 10th, 13th and 17th February 2006

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Music

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  • likes, 1 dislikes

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Uploader Comments (elias12186)

  • can you put dove sono by dorothea roschmann? please....

Top Comments

  • Perfect Mozartian singing! The style, the pose, the suave expressivity, the inner and discrete joy, the voice. Miah Persson understands Mozart's music. Her Fiordiligi is a great interpretation, even if her voice sounds kind of too light for the role. Her Susanna seems to be equally marvelous. It's so good to hear unaffected, simple and truly artistic Mozart singing in our days!

  • So expressive! What a beautiful performance.

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All Comments (34)

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  • Muito amorosa esta Susana

    karine Galvão

  • Susanna !!! oh my, I could listen to her, every day for the rest of my life and still love it.

    Fab u lous !!!!!

    The Best

  • @elias12186 I don't think roschmann is "horrible" as the countess, maybe not at her best here but not bad at all (at least as far as acting and emotion are concerned).

  • @Sochilinda

    I think her R is not exaggerate; only she has problems in rolling it the right way, because she's swedish. surely she knows it's not german!! (btw the german R is different...). anyway, this is a detail I've noticed, too, but after a while I always get used to it. what do you mean for personality? her interpretation is just right in my opinion!!

  • wow I absolutely love her susanna as well as her fiordiligi

  • @Sochilinda Well, thanks for enlightening me about the truth. Anyway, my opinion is that she sings very beautifully (it's necessary to do so, you know), with more nuance and charisma than the average singer of our days and with real musicality. As for her pronunciation, I admit I don't pay too much attention on that issue, but I gues the Italian does require some RRRR (a longer trill) in the double "r".

  • @Homoclassicus no she doesn't, her characters always lack personality, she sing pretty but there's not personality there, and her pronunciation is too exagerate, too much RRRR, it's not german, it's italian. it's just an average performance no my opinion.

  • Compare to another similar aria writen by JOSEPH MARTIN KRAUS (1756-1792):

    Concert aria - " Innocente donzelletta "

  • @elias12186 But for us who care for her?

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