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It's funny that Sondheim himself thought the idea of assigning specific instruments to different characters was pretentious, and yet now we see directors who are reviving his musicals and using just that dramatic device (namely Sweeney Todd and Company.)
thank you, i've also thought how ironic that is. Im not a fan, especially Sweeney Todd, its a score based somewhat on film scores so it should be full and loud, not lame and sparse
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