The reaction to sound allows the construction, in real time, of sculptural spaces. The line, graphical element, conceptual entity without physical characteristics is, however, used to represent three-dimensional forms. When materializing itself, in digital code, the line acquires a three-dimensional form, projecting itself in space. Our multi-sensorial perception follows the graphical shape's progress that, in reply to the sound development, constructs representations of incorporeal sculptural spaces.
Installation supported in Max MSP/Jitter.
[Music by: Peter Brotzmann]
hey there, can you explain a bit about this work? what´s reactive about it and how was it installed?
veraglahn 4 years ago