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Big Band Tribute To Artie Shaw, Featuring Salvatore Andolina

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Uploaded by on May 25, 2009

Clarinet: Salvatore Andolina
Trumpet: Herb Smith
Venue: Kleinhans Music Hall, Buffalo, NY

Program Description:

One of big band's greatest names known as "The King of The Clarinet," Artie Shaw is honored in this special tribute featuring the BPO's own Sal Andolina and his band. Swing to favorites such as Star Dust, Frenesi, Moonglow, Begin the Beguine, and selections from his Gramercy Five.

Artist Profile:

Sal Andolina - In the worlds of classical music and jazz, crossover versatility is rarely found in a single individual. Over the past decade, however, the Buffalo Philharmonic Orchestra has witnessed the keen achievements of one of Buffalo's native sons in the person of Salvatore Andolina, who is now the BPO's hottest switch-hitter in his permanent position of clarinetist, bass clarinetist and saxophonist.

While Andolina has been a full-time member of the BPO for the past dozen seasons, his association with the Orchestra began in the late '70s when he was a standout performance major at the University at Buffalo as a full-scholarship student on the clarinet. Upon completion of his degree at UB under former BPO clarinetist James Pyne, Andolina pursued advanced clarinet studies with Stanley Hasty at the Eastman School of Music in Rochester and coaching with the legendary Benny Goodman in New York City.

In addition to appearing as a soloist with the BPO, Andolina has been featured with the Rochester Philharmonic, the Grand Rapids Symphony, the Fresno Philharmonic, the Arts Nova Chamber Orchestra and the North American New Music Festival. More significantly, Andolina has been featured on at least 15 studio recordings, including his prized CD: "Like Benny to Me," a tribute to Goodman.

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Music

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  • I remember al in High school , Grand Island High. Nice to see he became a success good job

  • The tune is Special Delivery Stomp // originally written and recorded by Artie and His Grammercy 5 Sextet in December 1940. The original record featured Artie, Billy Butterfield on (cup-muted) Trumpet, Johnny Guarnieri on Harpsichord. The tune itself was based on an earlier composition called "The Man From Mars" that Artie had written and performed with his big band in 1939. He never made a record of it but there are radio air-checks of it on Hindsight records and RCA/BMG CDs.

  • Thanks for posting this.  I was wondering how it sounded out there. From this angle, I am almost as tall as Sal. And I am glad you caught me playing a decent solo!!!!!

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