Toru Takemitsu - Gemeaux, for Oboe, Trombone and Two Orchestras (4/4)

Fourth Part: Antistrophe

Not exactly Takemitsu's most well known piece (this and many others are generally overshadowed by works like the Requiem for Strings and A Flock Descends Into The Pentagonal Garden), but definitely one of my favourites by Takemitsu.

From Wikipedia: Tōru Takemitsu (武満 徹 Takemitsu Tōru?, October 8, 1930 February 20, 1996) was a Japanese composer and writer on aesthetics and music theory. Though largely self-taught, Takemitsu is recognised for his skill in the subtle manipulation of instrumental and orchestral timbre, drawing from a wide range of influences, including jazz, popular music, avant-garde procedures and traditional Japanese music, in a harmonic idiom largely derived from the music of Claude Debussy and Olivier Messiaen.[1][2]
In 1958, he received international attention for his Requiem for strings (1957) which resulted in several commissions from across the world, and settled his reputation as the leading Japanese composer of the 20th century.[3] He was the recipient of numerous awards, commissions and honours; he composed over one hundred film scores[4][5] and about one hundred and thirty concert works[5] for ensembles of various sizes and combinations.[6] He also found time to write a detective novel and appeared frequently on Japanese television as a celebrity chef.[7]
In the foreword to a selection of Takemitsu's writings in English, conductor Seiji Ozawa writes: "I am very proud of my friend Tōru Takemitsu. He is the first Japanese composer to write for a world audience and achieve international recognition."[8]

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Music

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• Toru
• Takemitsu
• Gemeaux