@ RaebervonStenglin, Zürich 12.06.2011
The starting points for The Fairytale Recordings are eight earlier works from which writers — Tom Morton, Lili Reynaud Dewar, Mick Peter, Ina Blom and Tacita Dean — have created lyrics to reflect their spirits. Their titles are poetic, invoking dark magic: Ghost, Black Hole and Vice De Forme (A Duel of Warriors) for instance. From these, Afif has worked with the operatic actress Katharina Schrade, turning each text into a performance in which the words are part spoken, part enacted, thus creating a transmission of the text that ends with it being spoken into a special vase which is then sealed consigning the verse to eternity. Afif employed the world-famous Munich Porzellan Manufaktur Nymphenburg to make the eight vases. Each bears a different figurine on its lid depicting Schrade in the pose that she will begin each performance with and the recording information for each work — a reference number, the title of the song and the date. Afif's collaborators are each important — the writers, actress, her costume designers StarStyling Berlin, and the vase manufacturers —chosen to imbue his piece with their particular savoir-faire. The idea for the work harks back to pre-Edison notions of sound recording, to literary conceits encountered in works by pre-Enlightenment writers such as François Rabelais which imagined the possibility of freezing the spoken word, and to the animist principle that non-human entities might embody spiritual life-force.
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