Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

The Foundry - Salt Flat Pieces

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
498 views
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on May 4, 2010

Mixed media; live dance performance with video projections.

Produced by Christian Burns and Alex Ketley.
Music by Bach Arne Norheim, John Lennon, and Derek Powell.
Video and Editing by Christian Burns and Alex Ketley.
Video, Editing, CGs, and Digital Transcoding by Caroline Loubert.
Performed by Christian Burns, Alex Ketley, and Sandra Stringer.
Premiered at Shotwell Studio, November 20, 1998.
Sponsors: California Arts Council, Fleishhacker Foundation, San Francisco Art Commission and Zellerbach Family Fund.

© 1998 The Foundry

Description: Alex Ketley and Christian Burns drove from San Francisco to the Bonneville Salt Flat on the Utah Nevada border and spent a week videotaping and improvising in the desert. This was the first project that they pursued, and it ended up staging the direction for a five-year exploration about how the environment affects the generation of movement. The piece is lonely, stark, beautiful, and young.

Review:
"The strongest film (and dance) on the bill was Salt Flat Pieces (1998), by Alex Ketley and Christian Burns. A man dressed in a gray suit and goggles dances with his briefcase across Utah's sea of salt. In one section, the precise modern balletics performed on-screen were mirrored by Ketley onstage. Another slow-motion, film only sequence features the man drop-kicking his briefcase and doing a series of elaborate falls evoking the spirit of corporate hysteria and bipolar downsizing. In the case of Salt Flat Pieces, the quality of the stage and the filmic choreography was equally strong, the two media contributing to a consistent mood. The film component emphasized the kinesthetic aspect of the movement, while the live dancing drew out the sparse visuals of the film: a gorgeous thing."

San Francisco Bay Guardian -- December 1998

  • likes, 0 dislikes

Link to this comment:

Share to:
see all

All Comments (0)

Sign In or Sign Up now to post a comment!
Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more