Horowitz plays Barber Excursions
Uploader Comments (thetunr)
Top Comments
-
These little gems will never receive as witty and idiomatic a performance as heard here. The Horowitz legend lives on!.
All Comments (25)
-
@dkopitz barber hadn't composed it at the time (wiki)
-
Why didn't he play the 3rd? It's the hardest movement according to my son, who plays this piece. He changed this quite a bit!
-
Well, I love Barber and Horowitz. Great post! Thanks.
-
a very original interpretation, thank you
-
i wouldve loved to hear him play the 3rd one
-
@lisztnut i see what you mean
but he didn't make it up
to my ears i think he either placed accents on the upbeats or either copied the pattern that's at the end of the piece and modified it to fit with the next page
-
@photoeditingchicken also, he's only playing three of the four movements
-
@lisztnut do rhythmical misreadings make a difference anyway? Since when is Horowitz been known for playing exactly as the score says. I'm more than positive that he probably disregarded the correct rhythm to make an effect-something that Horowitz is the best at doing.
-
Considering barber had no stature at all
Lol...I searched for this set in order to find its length, as I will plan to play it in a year. Then, I was like, "Horowitz played this?!" After listening to it, I have no doubt that I should plan much, MUCH more time than 8:39! I do agree, though, that he seemed to have 'hijacked' this set...though in a rather lovable way!
photoeditingchicken 3 years ago
I don't see any hijacking in this rendition. On the contrary, it is marvelous playing. The complete set should be around 13'.
thetunr 3 years ago
Unbelievable, Horowitz playing the "Blues"! (no. 2)...and he's turning them into a sonic miracle.
pianopera 3 years ago 4
Indeed, but I treasure the fourth piece even more. How succesful he is in conveying spatial dimension to that banjo duel.
thetunr 3 years ago
Yes, that one is great fun!
Thank you for posting this, I had never heard the pieces before, and I doubt if I will be hearing a better performance.
It again shows how versatile Horowitz was in the 40's: playing Romantic concerti with Toscanini, but also chamber music as well as Scarlatti, the Viennese classics, massive transcriptions, French repertoire but also contemporary Russian and American composers.
pianopera 3 years ago 2
You know, in a way I tend to share Tim Page's mixed views on Horowitz. I love immensely how he could turn little known miniatures into gleaming gems, but sometimes I feel he was simply hijacking a piece, especially in concert, and particularly in well known and mainstream repertoire. The single notable exception is Schumann. To my ears, Horowitz live-the-moment approach to Schumann's music is almost always convincing and often revelatory.
thetunr 3 years ago