Macbeth: Vieni, t'afretta! (Maria Guleghina)
Uploader Comments (gtelloz)
All Comments (26)
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She can sing the hell out of this. THANK GOD I don't have "perfect pitch" therefore, O don't always have to tell everyone that a singer is flat or sharp. I get to enjoy them instead.
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Why does she always have to be so flat???
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Certificate Intergalactic! Molto bella Guleghina!
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Simplemente Verdiana y estupenda! Me da miedo de solo verla, esta en el rol hasta los huesos, la voz es un cañon y tiene un color maravilloso, arrobadora e inolvidable!
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i love how intense she is when she sings....just watching her face is amazing. I love her in all this verdian evil gloriousness!
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for your information: VERDI (you know, the composer of Macbeth!) wanted Lady Macbeth to sound unpleasant! or do you want Lady Macbeth to sing in the style of Violetta, or Desdemona or even Tosca? Lady is not a TRAGIC heroine, Lady is a powerful woman, an evil woman, therefore she can not have the "voice of an angel". Guleghina portrays Lady perfectly, and if you want to hear her sing with "the voice of an angel" then listen to her Manon Lescaut with Muti from Scala...
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Unattractive? Ill produced? Indifference? Was that your parents reaction the day you were born?
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How could anyone have a problem with this voice?
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she`s the last diva singing at Colon theatre in Buenos Aires in 2006. after she nobody else...
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Wow she's fantastic in evil roles like Abigaille or Lady M.
I saw her last week at the Met playing Lady Macbeth. It was interesting to hear her big but lyric soprano. She sang calante most of the performance, fleeing the high C but amazingly blasting a final high Db in the concertato of act I. A beautiful instrument that she shouldn't push to sound spinto or drammatico.
soundfond 4 years ago
Guleghina always will be a great voice, specially improving in Lady Macbeth troughout the years. It helps a lot being well conducted by great conductors, as Levine. In this performance, Campanella was terrible, being booed at the end. I've been there.
gtelloz 4 years ago