FIELD Johan - 7 variations-plays Milan JELEN.wmv

John Field (26 July 1782 (?), baptized 5 September 1782 -- 23 January 1837) was an Irish pianist, composer, and teacher. He was born in Dublin into a musical family, and received his early education there. The Fields soon moved to London, where Field studied under Muzio Clementi. Under his tutelage, Field quickly became a famous and sought-after concert pianist; together, master and pupil visited Paris, Vienna, and St. Petersburg. The Russian capital impressed Field so much that he eventually decided to stay behind when Clementi left, and from about 1804 was particularly active in Russia.

Field was very highly regarded by his contemporaries and his playing and compositions influenced many major composers, including Chopin, Brahms, Schumann, and Liszt. He is best known today for originating the piano nocturne, a form later made famous by Chopin, as well as for his substantial contribution, through concerts and teaching, to the development of the Russian piano school.
Field became best known for his post-London style, probably developed in Moscow around 1807. The characteristic texture is that of a chromatically decorated melody over sonorous left hand parts supported by sensitive pedalling. Field also had an affinity for ostinato patterns and pedal points, rather unusual for the prevailing styles of the day. Entirely representative of these traits are Field's eighteen nocturnes and associated pieces such as Andante inedit, H 64. These works were some of the most influential music of the early Romantic period: they do not adhere to a strict formal scheme (such as the sonata form), and they create a mood without text or programme.[2] These pieces were admired by Frédéric Chopin, who subsequently made the piano nocturne famous, and Franz Liszt, who published an edition of the nocturnes based on rare Russian sources that incorporated late revisions by Field. Liszt's preface to said edition was an extensive eulogy for Field and his nocturnes.[4]

Similarly influential were Field's early piano concertos, which occupy a central place in the development of the genre in the 19th century. Already the earliest of these works show competent and imaginative orchestration, and bold, original piano writing. Composers such as Hummel, Kalkbrenner and Moscheles were influenced by these works, which are particularly notable for their central movements, frequently nocturne-like. Some of the less known works were also historically important: particularly the piano fantasies, in which Field pioneered the Romantic large scale episodic structure.[2]

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[jonjon1957jonjon]

Surely this 'cobbler's patch' cannot be the best Field has to offer?

[eamondurkan]

Awesome, people need to appreciate this much more, thanks for posting!