Rigoletto cage match: Sì vendetta tremenda vendetta sing-off

5 baritoni interpretano Rigoletto e 5 soprani che interpretano Gilda cantano "Sì, vendetta tremenda vendetta!!!!" dal Rigoletto di Giuseppe Verdi.

1. Rigoletto: Aldo Protti
Gilda: Gabriella Tucci
cond. Alberto Erede, 1961 (live).

2. Rigoletto: Dietrich Fischer-Dieskau
Gilda: Renata Scotto
cond. Rafael Kubelik, 1964.

3. Rigoletto: Sherrill Milnes
Gilda: Dame Joan Sutherland
cond. Richard Bonynge, 1971.

4. Rigoletto: Piero Cappuccilli
Gilda: Ileana Cotrubas
cond. Carlo Maria Giulini, 1980.

5. Rigoletto: Ingvar Wixell
Gilda: Edita Gruberova
cond. Riccardo Chailly, 1982 (live).

Clicca sul video Risposta per la versione Tito Gobbi & Maria Callas!

Category:

Music

Tags:

• Sì
• vendetta
• tremenda
• Rigoletto
• opera
• Verdi
• lirica
• classica
• cage
• match
• sing-off

[lilnagnifico]

Protti orrido e stentoreo, Tucci fuori parte, Fischer Dieskau troppo reaffinato per la parte Scotto migliore Gilda del secolo, ottimo Milbnes e, anche se al solito non articola le parole, ottima Sutherland, truculento Cappuccilli buona la Cotrubas, orrendo Wixell, un Rigoletto di seriue C e troppo compassata la Gruberova

[riccardo699]

No one can touch Sutherland, as always.

[mongemark]

li ho ascoltati tutti e dieci in teatro e qualcuno più di una volta, tranne la Callas

Protti e Cappuccilli anche in Rigoletto

Protti ottimo baritono (scuola Basiola) ma qui è troppo verista

Cappuccilli è possente e molto incisivo (troppo)

Milnes è un ottimo baritono lirico ma in Rigoletto non è a suo agio (benino)

Dieskau mi piace sempre per la immensa intelligenza ma occorre veemenza

Wixell così così

mancano, oltre agli Dei:

Tibbet, McNeal, Nucci, Warren, Bastianini, Bruson, Hvorostovky

[kiepura1902]

@Richiesutherland

nuts...

[Richiesutherland]

Gruberova ALWAYS with the awful quasi-Viennese scoop to the wobby high tone! She infected a whole generation of the girls (Dessay, Damrau, for two examples) who apparenty think this is not only acceptable, but desirable!

[Beth29252]

Milnes and Sutherland win this for me, Sutherland's high Eb is amazing, and Milnes sings beautifully and manages to also have a mastery of legato lines and acting with the voice. Cappuccilli and Contrubas come second, with the ending being the only let down. I like Wixell a lot actually, and Protti has the most exciting start but Tucci is a tad shrill for my tastes. Fischer-Dieskau's is a noble attempt, but for me it is a little too elegant and light, Scotto however is wonderful.

[mire2007]

@Kafkandinsky I understand =) I mean, his voice sounds "forced" to me, it's like it was hard for him to sing...sorry, my english is not so good, I can't find the right words =)

[Kafkandinsky]

Quite unfair to Wixell. His prime was between 60's and 70's. People tend to misjudge Wixell voice, but in his prime he really had a fantastic voice, worthy of mention. Not my favourite though, since I prefer Titto Gobbi or Cappuccilli in this role

[Kafkandinsky]

@mire2007

Wixell voice might sound light on recording, but in an opera house it was really huge.

[redgrapeskins]

@brolobear  Mr Milnes had those top notes, as did Mr Warren, who I understand is a baritone Mr Milnes admires very much .... You're lucky to have an acquaintance like Mr. Milnes

[daphnebeloved]

@casalhug hahahahahahaha!

[FederigoKisslown]

Mi lascia perplesso il fatto che i duetti sono tagliati tutti prima che il baritono termini, indice di poca sensibilità. Ringrazio comunque chi fornisce questi match-video, sempre buoni spunti per discussioni e crescita personale.