DJ GIZZO S trance fusion Part 2

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Uploaded by on Nov 25, 2007

http://www.djgizzo.com

LET ME KNOW HOW THIS MAKES YOU FEEL

LISTEN TO ALL PARTS IN ORDER 1 2 3 ETC FOR THE FULL EFFECT CLOSE YOUR EYES PUT YOUR HANDS IN THE AIR TURN UP THE MUSIC AND LET YOURSELF MOVE FREELY


trance fusion DJ GIZZO 4+ HOUR MIX ON YOUTUBE

The earliest identifiable trance recordings came not from within the trance scene itself, but from the UK acid house movement, and were made by The KLF. The most notable of these were the original 1988 / 1989 versions of What Time Is Love? and 3 a.m. Eternal (the former indeed laying out the entire blueprint for the trance sound - as well as helping to inspire the sounds of hardcore and rave) and the 1988 track Kylie Said Trance. Their use of the term 'pure trance' to describe these recordings reinforces this case strongly. These early recordings were markedly different from the releases and re-releases to huge commercial success around the period of the The White Room album (1991) and are significantly more minimalist, nightclub-oriented and 'underground' in sound. While the KLF's works are clear examples of Proto-trance, two songs, both from 1990, are widely regarded as being the first "true" trance records. The first, Age of Love's self-titled debut single was released in early 1990 and is seen as creating the basis for the original trance sound to come out of Germany. The second track was Dance 2 Trance's "We Came in Peace", which was actually the b-side of their own self-titled debut single. While "Age of Love" is seen as the track which cemented the early trance sound, it was Dance 2 Trance (as a result of the duo's name) that probably gave the sound its name.

The trance sound beyond this acid-era genesis is said to have begun as an off-shoot of techno in German clubs during the very early 1990s. Frankfurt is often cited as a birthplace of trance. Some of the earliest pioneers of the genre included Jam El Mar, Oliver Lieb, Sven Väth, and Torsten Stenzel, who all produced numerous tracks under multiple aliases. Trance labels like Eye Q, Harthouse, Superstition, Rising High, FAX +49-69/450464 and MFS Records were Frankfurt based. Arguably a fusion of techno and house music, early trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones which were appropriated from the style of house popular in sirius isness Europe's club scene at that time. However, the melodies in trance differed from euro/club house in that although they tended to be emotional and uplifting, they did not "bounce around" in the same way that house did. This early music tended to be characterized by hypnotic and melodic qualities and typically involved repeating rhythmic patterns added over an appropriate length of time as a trance addict tranceaddict transcend transcendental meditation transcender transcender transformers trancefm trance classics trance traffic trance music downloads trance music artists trance music torrent trance music wikipedia trance music wiki trance music free downloads trance music forums trance music lyrics trance music video track progressed. kevin and perry by dj gizzo part 7

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Uploader Comments (DjGizzo)

  • part 2 is not good

  • yes it is you just dont like it :P

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All Comments (18)

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  • oops that probably wont translate as i used no punctuation

  • Damn! That's alot of transition time!

  • i see where your comeing from and what your trying to say .... this however is nothing more than a mix of some tracks i made for my own personal mp3 player before the summer of 2007 then chopped into 10 min sections im doing a more moden classics night on monday and will be uploading that at a later date

    i dont agree with mixing on the dead parts of tracks as iv been to too many nights out where there is 3 mins of nothing between tracks and felt bord on the dancefloor

  • But How I said, it's only the beginning. THe rest of the track is delightful. In my opinion, just a lil' suggestion, you could ad a bit more padding during the trance, and more reeverb to give it a more airy feel. More translucent, but that's just me. Good work!

  • It's nice. oldschool, makes me want to go to those nice rave parties, but there's a gate at the beginning, and only at the beginning that sounds AWFUL, sorry to be straight. Not sure if it's the transition between two records if that's what you're doing, but it's just bad and doesn't harmonize at all. If you're flipping tracks from one record to another, you could wait until that gate cuts off. I don't like fading in the second track until there's nothing but percussion on the first track.

  • It's not good its brilliant

  • C'mon, it can't be that bad :/

  • thats a silly thing to say if i couldnt destinguish from the good and bad tracks id be playing any old shit ..... fine if you want to be on the radio but i make the dacefloor live and that you can only do with quality tracks and no rubbish at all

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