Larry Coryell Jazz Guitar Lesson: Jazz Minor Scales 2 of 2
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Thank you so much, Larry. This is very helpful in phrasing...although I am pretty familiar with all you present, it is wonderful to hear and see your detail, style and sound. Thanks again!
C.G.T. Ukiah, CA
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low key, i've met him. Not a wig.
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@guitarsurfer2010 That's exactly why this scale is applied in Dom7 situations. (Plus many more) Moreove, you need not start on any paticular degree of the scale either. What I ultimately ended up with after a few years of using this scale, was the sound. Think tension-then release. That's the jazz minor can do anywhere on the neck in any key. Altered scale: = altered 5's and 9's. with correct chord tones.
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after some months of exercise now i have a solution in my bag for playing over 7th a scale that does sound cool and rich ... thx so much
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Great lesson
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Larry, get your wig straight! Great ad lib.
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Fat tone....
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"For knowledge, I'd lean toward Coryell."
And for overall "technical ability" as well. Even the biggest dummkopf would notice such a major detail. If you haven't arrived at this point yet -- then you need to keep learning, living, and playing. Cheers
Scott Henderson is a very good jazz/blues player and fully understands countless improvisational concepts; however, Coryell is even more experienced and knowledgeable in the jazz idiom. I'd follow Coryell - given a choice.
rwmcjazz 2 years ago 45
that scale... is PREGNANT with possibilities hahaha
MyManDan 2 years ago 19