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Midnight on the Water / Bonaparte's Retreat

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Uploaded by on Jan 3, 2007

Tuned to drop-d or "dead man's tuning" (DDAD) on a Steve Owsley Smith mandolin.

Thanks for watching. My CDs can be found here:
http://www.mandolinarchive.com/dan/torch_and_fire.html

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Music

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  • likes, 2 dislikes

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Uploader Comments (DanBeimborn)

  • I don't see how you get the pick to stick to your finger everytime you lift your thumb.

  • @OysterLava

    Mostly just gravity is holding it in place. I try to relax my grip, the larger picks (three usable points, rounded triangle shape) will pretty much stay in place unless you tilt your hand a lot. I do drop them occasionally too!

  • Hi,

    Could you give us a clue on the séries of chords you use in this tune?

  • @chris6729 : The tunes both fall on open D chords (ds and as) as drone notes. I'm tuned to DDAD on the mandolin, and am hitting mostly open strings or thirds (F#) as I go

  • My word!!! You aren't using a pick? That was just great...I never heard of tuning mandolin to anything other than what it was in when my friend gave me one.

  • I'm using a pick. I have a loose grip is all

Top Comments

  • It is indeed Bonaparte's Retreat. This is what happens when a Scottish piping tune is transplanted to the (formerly) isolated coves of Appalachia. Copeland took his Hoedown theme, almost verbatim, from a 1937 Alan Lomax recording of Lakeville, Kentucky fiddler Bill Stepp which you can listen to here: 1yeQucos9-M&feature=fvw

  • Fabulous. You take me to another place listening to it.

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All Comments (59)

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  • Nice playing

  • What an amazingly talented musician. Amazing playing, Mr. Beimborn.

  • Just fantastic.

  • Beautifully done sir!

  • Excellent job there!!

  • yowzer

  • Woot! Love it!

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