Creating Killer Riffs w/ Arpeggios - Riff Of The Week:S4,e35

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
8,849
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jul 21, 2009

Every Wednesday I do a new Riff Of The Week™ guitar education video. Here's Season 4 ,Ep 35: "Creating Killer Riffs With Arpeggios"

Riff Of The Week™
Since 2005

got riffs?™ Hats, T-shirts & new PickPads™ at www.daveweiner.com/store

Hi, I'm Dave Weiner. I'm a Favored Nations recording artist, a G.I.T. graduate and have been playing in Steve Vai's band since 1999.

Don't forget to view the tab, listen to the audio clips and download the backing tracks (when applicable) for this ROTW at: www.daveweiner.com/rotw.

You can find Hi-RES HD versions of this video at riffoftheweek.com or by subscribing (for free) to the ROTW podcast in ITunes (search Dave Weiner).

Interested in my music? My first cd "Shove The Sun Aside" is available on iTunes, Amazon and at www.daveweiner.com/store

Like this lesson? Want to learn more? How about a live, one on one, internet guitar lesson with me? www.daveweiner.com/lessons

Got a suggestion for a ROTW? Email it to rotw@daveweiner.com

Thanks for visiting. Enjoy!

Dave

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 1 dislikes

Link to this comment:

Share to:

Uploader Comments (riffoftheweek)

  • Hi Dave, excellent lesson bro!

    I'm curious why you chose to standard-notate (in the staff - NOT TAB!) this new riff using "flats" (like "Db" and "Ab" instead of the more key-sig-appropriate "C#" and"G#" respectively? For one thing, the two possible keys ("A-Major/A-Ionian" or "E-Major/A-Lydian") are both sharp keys?...Also, you wouldn't have needed to use a natural-sign on the "Ab's" if they were just "G#'s"?...I guess brass-players would dig the flats! (LOL!)

    No big deal - AWESOME RIFF!

  • thx for pointing that out. new tab program. i didn't notice it was labeling as flats and not sharps. It should def be in A maj which has 3 sharps.

  • for some reason I can't download your podcasts? keep it comin man, I love it!

  • itunes feed returning shortly

  • damn man it is so complicated !! its easy to listen hard to play !!!

  • This is actually on the easy side of things. But it just takes time. Hit me up for a lesson and you'll get it.

see all

All Comments (35)

Sign In or Sign Up now to post a comment!
  • whats the difference between a A7 and an Amaj7? is an A7 a flat seventh?

  • Actually an arpeggio is any notes of a scale played note by note. For example it could be the 1, 3, 5 and 7 of a scale or it could be a 1, b3, 5, 6 to get a minor 6th arpeggio or possibly 1, 3, 5 b7, 9 to get a dominant 9th arpeggio. Also Paul Guilberts arpeggios sound different because tends to do some string skipping so his arpeggios get more of the low to high range. Hope this helped out. If not...oops.

  • dave

    your tutorials are amazing!!!!!!!!!!

    berherbi

  • Regarding Paul Gilbert's arpeggios. It is more in the way he plays them, the techniques he uses to play them that gives them that Gilbert touch. His choice of notes is not very different.

    Gilbert favors string-skipping when playing arpeggios, as opposed to sweep-picking them. He has a couple of lessons on arpeggios in his instuctional vids, and many clips can be found here on youtube.

  • An arpeggio is defined simply as the notes of a chord played separately, so the term actually doesn't say anything about the choice of notes.

    Having cleared that up. Chords, or arpeggios, can be constructed using any formula you want. Say you wanted an Esus4-arpeggio. You take the 1, 4 and 5 notes out of an E-major scale. E A and B respectively. If you wanted a Gmin7b5 chord, you would need 1, 3, b5 and 7 out of G-minor.

  • So Dave, an arpeggio is just the 1, 3, 5, and 7 of the scale you're using? So if I wanted to do an E major arpeggio, I'd just play and E, G#, B, and a D# (and then repeat if I wanted to do what you did here)? Also, what about Paul Gilbert's arpeggios. He seems to do it a bit different. I'm a little confused. :-)

  • Fawking AWESOME. I love the pulling technique in G. Works in any key, really, but any of the strings that are part of open chords does the trick. G is the natural one. E for the exact reason Dave explains in the beginning of the vid.

    Best instructional vids I have ever seen.

  • i like that you do this even though you dont get many views keep it up and someday it will be huge

  • I kind of curious about your sweeping idea. I saw you changed strokes at some points, but I think it might sound smoother and more organic if you simply used a hammer-on so you could continue using a single down stroke.

  • No it won't.  He isn't using the low B.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more