Triple Raden Wahyono @ The Betrayal of LCVS

L.C. von Sukmeister performs operations upon both collage and film in such a way as to produce a physical experience of both these mediums and a keen awareness of the potentialities of these mediums. If collage fixes and documents a specific moment in time in such a way as to prevent if from slipping away, film contrawise, enables the continous evolution of one image into another. While conflating collage and film in a computarised medium ―a single electronic signal that codifies them into information emitted as video― L.C. von Sukmeister affirms that the concepts of collage and of film survive into this digital medium. The loose collage image and the filmic register in real time are constituted as two temporal modalities that join forces. It is in the condensation of the different temporalities into a single medium that Von Sukmeister makes his Wayang 2.0 work.

Credits:
Art Director: Anton Slamet Wahyono bin Kasturi
Cinematographer: L.C. von Sukmeister
Camera: Le Complice
Associate Producer: Poncke P.
Set Designer: Raden Saleh
Set Assistant: A. Kurniawan
Prop: P. Princen
Special Effects: N. Fernanda
Sound Editor: Nena F.
Music: Bojo Loro
Location: Centraal Museum, Utrecht (The Netherlands)
Location Details: Nicolaaskerkhof 10, 3512 XC Utrecht, The Netherlands
Date: 25 November 2009
Wayang 2.0
Script: Pedro Lapa, Director do Museu Nacional de Arte Contemporânea Museu do Chiado, D. Claerbout
Series: Beyond Belanda: Seni Kontemporer
FUCK SEX ! LOVE ART
WAHYU!

Category:

Nonprofits & Activism

Tags:

• İstanbul Biennial
• Venice Biennial
• Singapore Biennale
• Liam Gillick
• Seni Kontemporer
• Agung Kurniawan
• Jompet Kuswidananto
• Cemeti Art House
• Nadi Gallery
• Anton Slamet Wahyono
• dukun Suram Wahyono
• Raden Saleh
• David Claerbout
• Sylvie Fleury
• Banksy
• Surakarta
• Seni Rupa
• Zeina Maasri
• Lagos
• Centraal Museum
• Beyond the Dutch
• Damien Hirst
• Fondazione Nicola Trussardi
• L.C. von Sukmeister
• Thomas Hirschhorn
• Museu do Chiado