Uploader Comments (amadeus9man)
Top Comments
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Can anyone hear one wrong note? I cant. Just beautiful.
All Comments (71)
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My music teacher brought me here (i'm in grade 9) thanks Mr. P! :)
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@HerlockSholmes123 I like both. I'd follow Gould, or any other interpreter of Bach, anywhere.
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@HerlockSholmes123 I don't see how you can condemn Gould's first recording to "sucking", no matter what you may think of his interpretation (particularly choice of tempos), technique, or otherwise. The superb technicality of his playing in the 1955 recording, again simply can't be dismissed as sucking, even viewing the question on the superficial level of 'how many other 23-year-olds of the time produced such a work as this, as their "debut album"'. It is a stunning feat!
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MMMmmmmmm I need a cigarette. Jesus.
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gorgeous photos-thankyou.
On the whole i prefer the 82 version (not least becuase he observes some of the repeats) and the live Salzburg but Variation 12 is another matter. This is very special indeed.
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How is it possible not to like this absolutely wonderful music?
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Impossible!!!
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I wouldn't say "'55 sucks," but I do feel like his tempos are a little too fast for my liking. I do prefer the '82 recording, like he's coming back to an "old friend" and viewing it through a very different lens as a result of years of experience. I also like the recent Murray Perahia recording.
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From there has the Hammerklavier its name.
Thank you for these great selections from Bach's Goldberg Variations and the wonderful pictures from Life magazine (such nice, clear ones, too)! They have certainly 'held up well' through all these years, and then to end up on YouTube, for all to see, hear and to enjoy! Kudos to you for sharing them! ;-)
DesertAnnie 2 years ago 14
Thank you for your thoughts, and it means a great deal coming from such a devoted Glenn fan. I also posted his rendition of the French Suites.
amadeus9man 2 years ago 2