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Earl Hines - Glad Rag Doll

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Uploaded by on Jul 11, 2009

1920's

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Music

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  • This has to be one of the most eccentric, far-out, and yet compelely logical jazz piano solos recorded up till this time (1932, I think?). The part from halfway to 3/4 of the way through gets pretty wild. The bass is genius... it almost sounds like Hines has an extra hand or two. I literally have no idea where he learned to play like this, it is so unorthodox.

    However, some of the ping-pong bass patterns and angular rhythms betray the clear influences of Arthur Schutt and Irving Brodsky.

  • @KawhackitaRag The Penguin Jazz Encyclopedia says:

    ... [Hines'] most dramatic departure from what other pianists were then playing was his approach to the underlying pulse: he would charge against the metre of the piece being played, accent off-beats, introduce sudden stops and brief silences. In other hands this might sound clumsy or all over the place but Hines could keep his bearings with uncanny resilience.[33]

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All Comments (9)

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  • I simply love the quirky originality and the seemingly endless invention of Hines. Great piano playing by any standards.

  • @KawhackitaRag .. how do you figure?

  • @KawhackitaRag .. how doyou figure?

  • @Julian9ehp the first pic is from a Buster Keaton movie, I believe. binturong4 can correct me, I'm not sure.

    I love this performance. You can hear how he starts with a quote from the introduction of Zez Confrey's famous piano solo "Greenwich Witch", which was fairly well-known in the 1920s. However, what comes later has little to do with this.

    This is a very beautiful and truly jazzy reading of this tune. I like the wide-open swing here. Jimmy Blythe and Alex Hill are in evidence.

  • Some of these pictures look like stills from a silent movie, and some look like candids.

  • sweet!!

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