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Uploader Comments (Thedaanvo)
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All Comments (19)
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all right thanks for the information.
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Klaus was amazing when you think about all the stuf he did and the effects he created. No one can surpass his talent..I am so glad I colelcted all his records from the70's..his music lives on and so does his inspiration. Thank you KW!
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wow,amazing!!!
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it sound like some of these recordings, specialy the one at the begining, were made on the X66
decatlon14 1 month ago
@decatlon14 Yes, that was my idea too at first, but no record of him mentions a X66. So this was done on a H-series 'real' tone wheel Hammond.
He used this model up to 1976/77 when he traded his three organs (Lowrey H25-3, Hammond H100, Wersi W 248) in for the then brand new Wersi Helios, which had an extraordinairy drawbarsound.
Thedaanvo 1 month ago
There is a good documentary about Jimmy Smith that was made in Germany when he played there...a must see really, even if you aren't a big Jazz fan. Just search Jimmy Smith 1965 documentary. Could you imagine if he had discovered Klaus when he got over there? Obviously they could play like each other if they wanted to...no worse than any of us, right?
paulj0557 1 month ago
@paulj0557 Sounds interesting. Klaus by then was still leading his busy life accompanying singers and orchestras. That ended in 1972 when he opened a recording studio in his home in Germany.
Thedaanvo 1 month ago
you know the wah-wah and that piano sound that klaus wunderltch uses?
expertman60 5 months ago
@expertman60 The 'wah' should come close with this: start with 008000000 and then pull the drawbars 4', 2 2/3' and 2' out together until you got 008888000. That creates a 'wah'. The piano is probably an arpeggio function of the Hammond, but a combination like 000508000 with long sustain should come close.
Thedaanvo 5 months ago