Predstava, po mnenju kritika Blaža Lukana, potegne gledalca v svet potlačenega, prepovedanih želja, tabujev, predsodkov, strahov, travm itn.. A predstava, ki se je v decembrski izvedbi spremenila v spontani kolektivni žur, v radostno deljenje misli, občutkov, vsesplošni ples, objemanje in poljubljanje res ustvari vtis, kot pravi Lukan, da je življenje v resnici desperatno in da živečemu, izgubljenemu v bolečem razcepu med igranjem in opazovanjem, torej v izvirni nemoči zavzeti enopomensko in nedvoumno pozicijo, ni pomoči?
Projekt je bil uspešno premierno predstavljen na plesnem festivalu Tanz im August v Berlinu, leta 2008.
Koncept in režija: Janez Janša
Soustvarjalci: Caroline Decker, Dražen Dragojević, Teja Reba, Janez Janša in Janez Janša
Lučno oblikovanje: Miran Šušteršič
Izbor glasbe: Dražen Dragojević
Fotografije: Janez Janša
Tehnični vodja predstave: Igor Remeta
Produkcija: Maska
Producentka: Jedrt Jež Furlan
Koprodukcija: Tanz im August, Berlin, Stara mestna elektrarna - Elektro Ljubljana (SMEEL), Ljubljana
Koprodukcija raziskovalnega projekta Vaditi svobodo: Tanzquartier, Dunaj
Program Maske podpirata MOL, Oddelek za kulturo in raziskovalno dejavnost in Ministrstvo za kulturo RS.
The formal framework of the project Life [in Progress] is difficult to determine, it constantly drifts between performance and exhibition. Life [in Progress] is the first kiss, the last love letter, protesting, entering a political party, boredom, alcohol, pain, rage, masturbation, the change of name and appearance, a feeling of guilt, friends, our dear departed, mother-daughter conflicts, romances including the ones that have not left the nicest of memories and it is a decision to react or merely observe. Yoko Ono, Christian Boltanski, Jan Fabre, the group OHO, Carolee Schneemann, Abramović & Ulay, Picasso and Andy Warhol are, perhaps without you being aware, a part of your life. Life [in Progress] creates situations where memory and vision intertwine in a way that makes them indistinguishable. Is the past only a part of memory or is it also a matter of a political and cultural conditionality? How much visionariness is there in our visions and is vision determined by death or the fear of death?
Concept and directed by: Janez Janša
Created and performed by: Caroline Decker, Dražen Dragojević, Teja Reba, Janez Janša in Janez Janša
Lights: Miran Šušteršič
Music: Dražen Dragojević
Photography: Janez Janša
Lead technician: Igor Remeta
Production: Maska
Executive producer: Jedrt Jež Furlan
Co-production: Tanz im August, Berlin, Stara mestna elektrarna - Elektro Ljubljana (SMEEL), Ljubljana
Co-production of research project Vaditi svobodo: Tanzquartier, Dunaj
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