Uploader Comments (Orfeus80)
Top Comments
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Magnificent . A peerless Desdemona . Voice and phrasing are incredible.
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Perfectly balanced. Not overdone. Not underdone. Beautiful.
Video Responses
All Comments (43)
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SUBLIME!!!!
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@Fairpavel I can add Margaret Price to fine Desdemonas...
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She owned this role!
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ahh the perfect Verdian soprano... gracious and sweet dignified and majestic
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LA VOCE D'ANGELO.... Come l'aveva chiamata Toscanini quando la sentì...
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Finale sublime!
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Renata Tebaldi and Lucine Amara were the only sopranos that ever moved me
to tears at the Met Opera House in New York City. I did see her as Desdemona
there.
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La voce più bella di tutti i tempi.
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and kiri of course
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I remain unconvinced that Desdemona was written for a spinto. The reasons are quite clear in the score as well as the story. The Otello-Desdemona dynamic is about contrasts, from ethnic,cultural, and class, this is also represented by Verdi in the music. Where Otello must be a dramatic tenor to handle the heavy lower register singing and orchestration, Desdemona does not have to carry an orchestra. Her character doesn't require much heavy singing. Tebaldi was the best since Ponselle!
Is this from the 1954 Erede recording?
samdrophy 2 years ago
no the 1949 recording sessions
Orfeus80 2 years ago
This comment has received too many negative votes show
Is nice but not beautifull..
Is so difficult to have a power of voice and to have a balance of the laudness and the sencitivity of the sound
Sorry i can not compare it with Callas
but even is good
Thank you
mklambatsea 3 years ago
You're welcome though you must be the first person to enjoy Callas' shaky Ave Maria. No one is asking you to compare Tebaldi to Callas, they were different singers.
Orfeus80 3 years ago
What year is this from?
janejones11 3 years ago 3
1950
Orfeus80 3 years ago