20 sopranos in "Tanti affetti" - La Donna del Lago part 2/3

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Uploaded by on Sep 7, 2008

20 sopranos in "Tanti affetti" - La Donna del Lago (Bianca e Falliero)
Montserrat Caballe
Sonia Ganassi
Anna Christy
Frederica Von Stade
Marilyn Horne
Anna Caterina Antonacci

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Uploader Comments (coloraturafan)

  • I don't know, but to me this aria doesn't seem to attract the high sopranos. Seems very few are hitting the high E flat- or are capable of it to end the aria. Nevertheless, it is quite a tour de force for the woman singer. It is my favorite closing aria in opera in fact. I do believe though Devia did hit the E flat in the third part. I heard a couple others who I thought were capable of it that did not try. Excellent compilation nonetheless.

  • It is true, not many try the higher ending. That said, I would rather hear a solid ending than a flat or unsupported high note. Swenson, Devia, Christy are the only examples I posted of the higher ending, I believe.

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  • @coloraturafan Kudos on the Gulin. Didn't even know she had sung the part. I have a very interesting complete Donna del Lago with Kiri Te Kanawa from the late 60's at the Camden Festival in London, attempting some very adventurous fioriture.

  • Sans conteste possible, Montserrat CABALLE est la meilleure.

  • La Donna del Lago (Bianca e Falliero)

    And not only, Venecian redaction of «Maometto Secondo» also uses the aria as a finale. :-)

  • marilyn marylin first unique

  • Almost everybody take look at the top notes of the sopranos but

    I really love the tremendous Horne´s chest notes there are so awesome.

  • Devo ammettere che la Horne mi ha davvero sorpreso!!! Bellissima resa!

  • marylin sempre marylin

  • caballe = best

  • Finalement après avoir tout écouté mon tiercé est

    1 Devia pour la coluratura

    2 Caballe pour le timbre

    3 Ricciarelli pour l'émotion

    reste au pied: Swenson, Von stade, Cuberli et Christy (quelle suberbe note finale)

    Merci encore coloraturafan. bravo

  • This finale aria was originally written for a mezzo (a la Rosina in Il Barbiere) but sopranos just can't resist the role. Very interesting to hear it sung by both, here.

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