20 sopranos in "Tanti affetti" - La Donna del Lago part 2/3
Uploader Comments (coloraturafan)
All Comments (15)
-
@coloraturafan Kudos on the Gulin. Didn't even know she had sung the part. I have a very interesting complete Donna del Lago with Kiri Te Kanawa from the late 60's at the Camden Festival in London, attempting some very adventurous fioriture.
-
Sans conteste possible, Montserrat CABALLE est la meilleure.
-
La Donna del Lago (Bianca e Falliero)
And not only, Venecian redaction of «Maometto Secondo» also uses the aria as a finale. :-)
-
marilyn marylin first unique
-
Almost everybody take look at the top notes of the sopranos but
I really love the tremendous Horne´s chest notes there are so awesome.
-
Devo ammettere che la Horne mi ha davvero sorpreso!!! Bellissima resa!
-
marylin sempre marylin
-
caballe = best
-
Finalement après avoir tout écouté mon tiercé est
1 Devia pour la coluratura
2 Caballe pour le timbre
3 Ricciarelli pour l'émotion
reste au pied: Swenson, Von stade, Cuberli et Christy (quelle suberbe note finale)
Merci encore coloraturafan. bravo
-
This finale aria was originally written for a mezzo (a la Rosina in Il Barbiere) but sopranos just can't resist the role. Very interesting to hear it sung by both, here.
I don't know, but to me this aria doesn't seem to attract the high sopranos. Seems very few are hitting the high E flat- or are capable of it to end the aria. Nevertheless, it is quite a tour de force for the woman singer. It is my favorite closing aria in opera in fact. I do believe though Devia did hit the E flat in the third part. I heard a couple others who I thought were capable of it that did not try. Excellent compilation nonetheless.
jay377777 3 years ago
It is true, not many try the higher ending. That said, I would rather hear a solid ending than a flat or unsupported high note. Swenson, Devia, Christy are the only examples I posted of the higher ending, I believe.
coloraturafan 3 years ago