Marian Nowakowski- The people that walked in darkness

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Uploaded by on Nov 17, 2008

Marian Nowakowski (1912-2000)

Most collectors remember Polish bass Marian Nowakowski, if at all, from his participation in Sir Thomas Beecham's recordings of Beethoven's Mass in C and Mozart's Requiem (released on the EMI and Sony labels, respectively). His recorded legacy is very small, but the striking voice makes it eminently deserving of recognition. Hence, I thought a few examples of his art would be welcome on Youtube.

Brought up in Poznan, Nowakowksi studied briefly at the Lwow Conservatory with the great Polish bass Adam Didur, making his debut at the city's Opera in 1937. His formative years were interrupted, however, by the outbreak of World War II. Nowakowski spent several years as an army officer- first in Poland, then Hungary, France, and eventually Scotland. After the War he chose to remain in England and soon became a favorite at Covent Garden (where he bowed in 1947), Sadler's Wells (now the English National Opera), and the Welsh National Opera. He was also highly respected as an oratorio singer, collaborating frequently with leading British conductors of the time, such as the aforementioned Beecham, Barbirolli, Boult, and Sargent. After retiring from the stage in the mid '60's, Nowakowski taught successfully for many years; it was a second career that took him from the Guildhall School of Music to the Royal College of Music in Kingston and even the University of Southern Mississippi!

In contrast with "high" basses such as Chaliapin and his own teacher Didur, Nowakowski's voice displays a genuine profondo coloration. The instrument is both dark and sonorous, reminiscent occasionally of Szekely, with a tendency towards openness on top, and low notes that are vibrant and rock-steady. 'The people that walked in darkness', from Handel's "Messiah", gives us ample evidence of the latter. The voice is also quite secure above the staff, if not as spectacular, and the performance is very much in the grand manner, without the prissiness of the "period performance practice" school. Nowakowski's English diction, while a bit mushy at times, is reasonably clear overall. Unfortunately, I do not know the date of the recording.

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  • Mój pierwszy "Borys" na występach gościnnych w Teatrze Wielkim w Poznaniu

    (7.02. 1960r.) . Thank You khankonchak !

  • Thank you for this.... Nowakowski was my voice instructor when I was a young singer in the mid 1970's. Bless you for this reminder of great singer and wonderful human being.

    JO

  • At a boy in 1954 or 1955, I heard him sing Messiah with the Wigan Choral Society, Lancashire - mu mum was in the soprano chorus. The original booking had been Norman Walker but he was unwell. In the Queen's Hall, a big auditorium, Nowakowski filled every corner with his voice; without a microphone and speakers. As a young person, I was amazed that any human could make such a volume of beautiful music, and it's affected me ever since. This brought back a happy memory. Thanks.

  • I remember hearing his voice on the radio during my childhood . He was one of my fathers favourite singers.What a fine singer. Thanks for this.

  • this man's voice is strikingly similar to that of the American bass-baritone Lawrence Tibbett! Amazing performance!

  • Dziendobry dziadzio Hi Granddad love the sound of your voice it reminds me of being sang to dinner.

  • Wow, amazing to hear someone with a Polish accent perform this aria. Additionally, he took the low note. Wow.

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