from "Introduction to the orchestral conducting technique"7 by Ennio Nicotra

The prolonged attack
Some times, when we have double or triple "acciaccature", it might be best to modify the gesture so as to make it easier for the orchestra to play them ; this gesture is prolonged and as if it were slightly extended forward (Clip 137, Clip 138 Mozart from the 1st movement of Symphony n. 41 "Jupiter", Clip 139 Mozart from the 1st movement of Symphony n.38 "Prague".)
from "introduction to the orchestral conducting" by Ennio Nicotra
piano duo Bruno Canino-Antonio Ballista
distributed worldwide by www.edizionicurci.it available in english, spanish, italian

SPANISH

Ataque (o gesto) prolongado
A veces, la presencia de achaques dobles o triples sugiere un cambio funcional al gesto en modo tal de hacer más fluida la ejecución a los músicos, este gesto se caracteriza por una ligera prolongación hacia adelante (clip 137, clip 138 Mozart del 1° movimiento de la sinfonía n° 41 "Júpiter", clip 139 Mozart del 1° movimiento de la sinfonía n° 38 "Praga")
from "introduction to the orchestral conducting" by Ennio Nicotra
piano duo Bruno Canino-Antonio Ballista
distributed worldwide by www.edizionicurci.it available in english, spanish, italian

GERMAN
Der verlängerte Anschlag

Es ist manchmal besser, die Bewegungen bei Doppel- oder Dreier-Vorschlägen zu verändern, um es dem Orchester das Spielen dieser zu erleichtern. Die Bewegung dieses Anschlags ist verlängert, als würde man sie leicht nach vorne ausdehnen (Clip 137, Clip 138 Mozart aus dem 1. Satz der Symphonie Nr.41 Jupiter, Clip 139 Mozart aus dem 1. Satz der Symphonie Nr.38 Prager )


ITALIANO
Attacco o gesto prolungato
A volte la presenza di acciaccature doppie o triple suggerisce una modifica funzionale al gesto in modo da rendere più scorrevole per gli orchestrali la loro esecuzione, questo gesto ha una fisionomia prolungata leggermente protratta in avanti (Clip 137, Clip 138 Mozart dal 1° movimento della sinfonia n° 41 "Jupiter", Clip 139 Mozart dal 1° movimento della sinfonia n° 38 "Praga". )

from "introduction to the orchestral conducting" by Ennio Nicotra regia Peppino Sciortino
piano duo Bruno Canino-Antonio Ballista
distributed worldwide by www.edizionicurci.it available in english, spanish, italian, german, chinese, japanese, korean

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