Heifetz Masterclass 4 - violin
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which edition did heifetz use of the chaconne?
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34:10 :)))))
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did he get a bit mad with the student at 29:41 ??? i got scared i must say :P cause he became a bit agressive...
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MAybe it was some kind of trend to play scales all sloppily? And I guess this makes it romantic?
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I notice people today, play scales much more beautifully and clearly then 50-60 years ago. Is this no coincidence with the times? Is it just the way it was back then?
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What I don't get is why dont people play their scales better than their performances. The scale is so important, should sound clean, crisp legato, convicted, and beautiful. Not a rubbish mess. All music comes from this basicness. Than again, I'm not a violin player...
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If you ask me, Heifetz's Chaccone sounds even better here when he demonstrates in the masterclass than the recordings, I can hear all the voices and the sound is well balanced. Can anyone tell me what he's doing from 9:00 onwards? It looks like he's putting more rhythms and even spiccato there.
He puts many complex rhythms from 15:15 onwards rather than just play it 1-2-1-2 , he changes to 1-2-3-1-2-3 and then 1-2-3-4-1-2-3-4 (I think) at the end...it brings out many voices. Can anyone explain?
srinitaaigaura 6 months ago 3
Love the Beginning:
"Well, what should we play?"
"I practiced Kreutzer No. 15, Paganini No. 19..."
"Okay, we play the Chaconne then" :D
kamshirou1 1 month ago