This was first rag to use the 3-over-4 melody pattern that was utilized to extremes in "Black and White Rag" and "12th Street Rag". It was composed by Charles L. Johnson and published in 1906. Here...
This was first rag to use the 3-over-4 melody pattern that was utilized to extremes in "Black and White Rag" and "12th Street Rag". It was composed by Charles L. Johnson and published in 1906. Here it is played by Keith Taylor in his highly improvised style.
Recorded Saturday 11 August 2007 during the 9th annual Sutter Creek Ragtime Festival.
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Heh yeah, at this year's festival (which is just a week and a half from now) there's even a "Sing-Along with the Player Piano" on the schedule, so we have an excuse to go digging around through that wall o' rolls.
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