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I heard Shearing's quintet many times all over the country. After all of the great work touring with the quintet he started using a bass player....Once he commented/reasoned something like he wanted to "pursue a different avenue...that the quintet format put him in a box". Did anyone here ever get tired of the quintet ??? I think not !
@Siciliano81 You forgot that Brubeck uses the block chord style too. However, I think that Shearing was the best. His quintet of the early fifties were smooth as silk. Everybody in that group were beyond compare.
Yes, it was written by Barney Kessel. Also famously recorded by a Benny Goodman small group in the forties,which included a second clarinet, the late Stan Hasselgard
Sir George was one of the first and greatest British beboppers of all time. My favorite piece of his, written in '49, was CONCEPTION -- one of the 1950 companion Snyder Transcriptions to Swedish Pastry shown here. What a swinger! Miles soon got hold of it, made some alterations and aptly called it Deception. I interviewed Shearing twice and now am sorry I never asked him what he thought of Miles' tampering since, time shows, it got so much more publicity.
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